A Quote by David E. Sanger
I did think that it'd be truly cool to be a foreign correspondent, and it was. There is a degree of freedom - and the right to roam the earth on somebody else's nickel.
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It wasn't something I started off in my teens or early twenties thinking I want to be a war correspondent. I still don't think of myself as a war correspondent. I'm not. I'm a foreign correspondent.
If we were going to address what involves the biggest number of women, reproductive freedom is a fundamental human right - like freedom of speech, the most basic right. Freedom from violence, since women worldwide are still like 70% at least of all victims of violence. Equality in the family, democracy in the family, since the family is the microcosm of everything else, so if you have inequality and violence in the family, it normalizes it in the street, for foreign policy, for every place else.
I think when things happen in our lives that we can't truly understand why they destroy us, it's because we can't truly understand or communicate it to anyone else. And that is what is destructive - you can't communicate it to the people that you love and it makes things deteriorate. Or you're hiding from yourself, or you're hiding from somebody else, and that was really fascinating to me... that life isn't like the movies and you can't always point to one thing and explain why you did things that ended up hurting you.
I think people always appreciate somebody else's informed educated opinion. To the degree that anybody with a computer can offer a journalistic point of view whether or not they have a degree, it sort of alters the validity of you have to place on anyone's individual comment.
It's always been fun for me to play somebody else. I did drama class when I was younger. It kind of just happened. I never said, 'I want to act.' I just auditioned for the role, I got it. I was blessed with this opportunity to be in 'Earth to Echo.' It's fun for me; it's cool to do.
When you get the opportunity to give away somebody else's money to make somebody else's life a little better. That's pretty cool, actually.
Not a superman who stumbles, but an ape with makeshift manners in whose nickel-plated jungles roam mechanical bananas.
I think the worst part is that when you know you dream another person's dream, you can never truly feel at peace. Never truly trust yourself. If you carry around somebody else's nightmare, who knows what else your insides might hide or when it might come out?
When I first signed up for a Twitter account - I was to say it was in 2007, people are going to think it's some weird self promotional thing or it's going, but in time I was called upon to like try to persuade other foreign correspondents and journalists to get on Twitter and see the usefulness of it which is kind of ironic. I think the journalists who are leading the digital charge at the Times have, all have that background as a foreign correspondent, which I think is not accidental.
The world has never known the freedom and liberty it did until the United States some 230 years ago - and if that light is extinguished, then it's over for the resolute world as well. There's nowhere else. That has been a tenet of American foreign policy from the beginning, the recognition of liberty and freedom as essential to the human condition as created by God.
My dad originally wanted to be a foreign correspondent before he got into politics. We have very similar personalities, so I think I get a lot of that interest from him.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
[Leonardo DiCaprio] is so cool. He was one of the coolest, down-to-earth people that I think I've ever met. I've never experienced meeting someone like that, [who could] just be so cool and down-to-earth and welcoming.
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
I don't think of myself as being particulary a subversive writer, but I like to think that my work could afford someone else, the extra degree of freedom that I found when I first found science fiction.
If I should die, think only this of me:
That there's some corner of a foreign field
That is forever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
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