A Quote by David Eagleman

Vision is more than looking. — © David Eagleman
Vision is more than looking.
The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
Culture is more important than vision. Some leaders have great vision, but have created a toxic culture where that vision will never happen.
I have heard it said that living out of our vision is more powerful than living out of our circumstance. Holding on to a vision invokes the circumstances by which the vision is achieved. Vision is content; material circumstances mere form.
Vision is a lot more than putting a plaque on the wall. A real vision is lived, not framed.
A single vision is more perfect than a committee vision because with everyone having their say, it becomes compromised.
Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival. Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society.
Re-vision -- the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction - is for women more than a chapter in cultural history: it is an act of survival.
What makes architecture extraordinary is that you're looking at the building, but your peripheral vision is also seeing how it fits within a space. And it's seeing more than one part of the building at one time.
I think I was a bit naive when I was younger. I don't know what it was: I sort of felt tunnel vision - I didn't really have peripheral vision or see the world and what was happening. I'm much more worldly, and I believe that I'm much more grounded in my body than I probably was when I was younger.
Looking back, nothing seems so simple than a utopian vision realised.
I couldn't have spoken like this yesterday, because when we've been apart, and I'm looking forward to seeing you, every thought is burnt up in a great flame. But then you come; and you're so much more than I remembered, and what I want of you is so much more than an hour or two every now and then, with wastes of thirsty waiting between, that I can sit perfectly still beside you, like this, with that other vision in my mind, just quietly trusting it to come true.
I am looking for strong characters rather than being just a pretty girl. Actresses can do so much more than looking good.
The first thing you do as a producer is you try to understand the director's vision in as deeply a way as you can. Sometimes, you end up with a director that has more vision or sometime they have less vision. You hope that they have more. In the case where they have more, you need to understand it in the deepest way you can.
Nothing is more contagious than genuine love and genuine care. Nothing is more exhilarating than authentic awe and wonder. Nothing is more exciting than to witness people having the courage to fight for their highest vision.
Looking behind, I am filled with gratitude. Looking forward, I am filled with vision. Looking upwards, I am filled with strength. Looking within, I discover peace.
A glimpse is not a vision. But to a man on a mountain road by night, a glimpse of the next three feet of road may matter more than a vision of the horizon.
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