A Quote by David Eagleman

Everything that creates itself upon the backs of smaller scales will by those same scales be consumed. — © David Eagleman
Everything that creates itself upon the backs of smaller scales will by those same scales be consumed.
I've learnt new scales through playing different types of music, like Indian raga scales, gipsy scales and harmonically-based jazz scales.
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together?
The scales of justice often, in my head, are unbalanced. And so my job is to try to balance out those scales.
Get digital scales because, for baking, balance scales just aren't accurate enough: it's all in the weighing up.
We spend our lives on a thin slice between the unimaginably small scales of the atoms that compose us and the infinitely large scales of galaxies.
Eric Clapton's scales - when he comes off a high note and it's time for a refrain or a little bit of a rest, he peals off scales going downwards that are so good it's unbelievable.
The injuries we do and those we suffer are seldom weighed in the same scales.
For me, the natural world is always telling big stories about humongous scales of time. And I often feel simultaneously terrified and humbled by those scales and in awe, and delighted that I get to be here; that I'm lucky enough, that we are lucky enough to get experience these things for the tiny finger snap of time that we get to be on Earth.
When you see a fish you don't think of its scales, do you? You think of its speed, its floating, flashing body seen through the water... If I made fins and eyes and scales, I would arrest its movement, give a pattern or shape of reality. I want just the flash of its spirit.
The Rainbow Fish shared his scales left end right. And the more he gave away, the more delighted he became. When the water around him filled with glimmering scales, he at last felt at home among the other fish.
I'm trying to play tunes in a new way, using all the same scales, harmonies, structures, but twist everything a little bit so that it comes out sounding different.
During the 20th century, we came to understand that the essence of all substances - their colour, texture, hardness and so forth - is set by their structure, on scales far smaller even than a microscope can see. Everything on Earth is made of atoms, which are, especially in living things, combined together in intricate molecular assemblages.
My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.
To us large creatures, space-time is like the sea seen from an ocean liner, smooth and serene. Up close, though, on tiny scales, it's waves and bubbles. At extremely fine scales, pockets and bubbles of space-time can form at random, sputtering into being, then dissolving.
Playing scales is like a boxer skipping rope or punching a bag. It's not the thing in itself; it's preparatory to the activity
"Where there is a will there is a way" is an old true saying. He who resolves upon doing a thing, by that very resolution often scales the barriers to it and secures its achievement. To think we are able is almost to be so - to determine upon attainment is frequently attainment itself.
This site uses cookies to ensure you get the best experience. More info...
Got it!