A Quote by David Eagleman

What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
We find that the statements of science are not of what is true and what is not true, but statements of what is known with different degrees of certainty: "It is very much more likely that so and so is true than that it is not true".
With the first step, the number of shapes the walk might take is infinite, but then the walk begins to define itself as it goes along, though freedom remains total with each step: any tempting side road can be turned into an impulse, or any wild patch of woods can be explored. The pattern of the walk is to come true, is to be recognized, discovered.
My responsibility is to try to tell true stories. To me a true story is always hopeful, but never simply, uncomplicatedly happy.
I would, like any other scientist, willingly change my mind if the evidence led me to do so. So I care about what's true, I care about evidence, I care about evidence as the reason for knowing what is true. It is true that I come across rather passionate sometimes - and that's because I am passionate about the truth... I do get very impatient with humbug, with cant, with fakery, with charlatans.
In the end, the truth always wins out. It always does, no matter how many times you tell a story that isn't true. In the end, the truth comes out. There's either video evidence or photographic evidence. I think the American people are smart consumers.
Of course, there are always going to be some unsettled areas, but for me the overall evidence for Christianity chases away any real doubt that it's true.
I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.
For me to play any true person in a film based on a true story, I always want to make sure that it doesn't mock and it certainly doesn't trivialize the events that took place.
The way I feel about every book is this: you don't finish it, you abandon it. All of my books have in some sense failed, otherwise I wouldn't write another one. If I wrote the perfect book, I wouldn't have to write again, and I wouldn't want to. That's not true for everyone, but it's true for me. I could walk away then. But so far I haven't managed to do it.
There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn't because the book is not there and worth being written -- it is only because the right form of the story does not present itself. There is only one right form for a story and if you fail to find that form the story will not tell itself.
To read well, that is, to read true books in a true spirit, is a noble exercise, and one that will tax the reader more than any exercise which the customs of the day esteem. It requires a training such as the athletes underwent, the steady intention almost of the whole life to this object. Books must be read as deliberately and reservedly as they were written.
Lore is my favorite kind of story. Because it's not only historical, it's a lie everyone knows is a lie but tells anyway. I love that. Of course every story I tell is true. Completely true. Completely and utterly at least five-eighths of the way to being true, which is truer than any piece of lore and truer than most truths you'll hear.
All the authors who've ultimately published Louder Than Words memoirs have been very happy to be chosen and excited about the possibility of having their memoir published. Even though these books deal with serious, often painful, issues, in all cases the authors felt as though writing their story would be an empowering and healing experience.
Be faithful and true of word; let thy walk be plain and lowly: thou wilt get on, though in savage land. If thy words be not faithful and true, thy walk plain and lowly, wilt thou get on, though in thine own home? Standing, see these words ranged before thee; driving, see them written upon the yoke. Then thou wilt get on.
Nothing, indeed, but the possession of some power can with any certainty discover what at the bottom is the true character of any man.
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