A Quote by David Ebershoff
When I see someone interesting on the subway - the lady with her new Bible or the delivery guy holding down a dozen Mylar balloons - my mind goes in two different directions. Where are they coming from? And where are they going?
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I had a very old woman come up to me on the subway and tell me that the faces that I made in the first episode when a guy is going down on me, that she still makes those faces when her husband goes down on her.
I mean, being provincial is a privilege in a way. Also people in New York think everybody interacts because they all take the subway. "Oh, I see all these different people! All these different walks of life on the subway." Well, they're not coming to your dinner party. Certainly, in small-town Nebraska, everyone indeed did mix together.
I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.
I love the impatience of New York... You ever had somebody not ask you for directions, but demand them? You're just innocently walking down the street, you hear a horn, all of a sudden some guy's like, 'HOLLAND TUNNEL!!!' ...You know, like you were supposed to fax this guy directions. Suddenly, you're wasting HIS time.
Kevin's mind goes to extremely interesting places. Every time we get a script, I go, 'Oh my God, I really didn't see that coming'.
There's usually a sense of humor about all of it. It is what it is. I had two characters that were equally detestable, in very different ways, that hit the airwaves, at the same time. It was a very interesting year in my career, in that way. But I have no fear, on that note. I have a new project for HBO, where I'm going to play the good guy. That's going to be fun and exciting, and shift the paradigm a bit.
A lot of the time you see a warning, in the subway, or in a movie theater, the main thrust of the warning will be to not panic if there is an emergency. To listen to directions. Now that's a waste. They could have given you information, but you can see their expectation that you're going to screw up.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel, world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.
There are half a dozen subjects that I return to time and time again, and that doesn't bother me. Because most of my favorite writers do that, to hunt down the same topic or theme from different directions each time.
Of course, in Los Angeles, everything is based on driving, even the killings. In New York, most people don't have cars, so if you want to kill a person, you have to take the subway to their house. And sometimes on the way, the train is delayed and you get impatient, so you have to kill someone on the subway. That's why there are so many subway murders; no one has a car.
If I go home and someone, and my child has blood running down her leg and someone tells me that a snake bit her, I'm going out and kill the snake. And when I find the snake, I'm not going to look and see if he has blood on his jaws.
Actually, it's great to play with someone who tries to come up with interesting drum beats because it pushes the music in different directions.
I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
I want the little lassies who are thinking of going to a nightclub in Cardiff to stop to see what that guy's screaming for, or Grandma to put her knitting down to see why that guy's chatting about Alexander the Great. I'm after pulling in, whether it's in Manila, Beijing or whatever, the biggest possible audience.
The stigma of the prostitute is the badge of her identity. That is why the client goes to her. If he wanted someone without a stigma, he'd go and screw the lady next door.
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