A Quote by David Edwards

You could play the blues like it was a lonesome thing - it was a feeling. — © David Edwards
You could play the blues like it was a lonesome thing - it was a feeling.
You could play the blues like it was a lonesome thing - it was a feeling. The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
You play a 'lowdown dirty shame slow and lonesome, my mama dead, my papa across the sea I ain't dead but I'm just supposed to be' blues. You can take that same blues, make it uptempo, a shuffle blues, that's what rock n' roll did with it. So blues ain't going nowhere. Ain't goin' nowhere.
I really don't like that modern notion of 'I don't need anyone.' I see a lot of young women feeling they have to be that way, they have to be hard, in a way. And what does that bring them? They're just going to be lonesome. They're going to be, at best, lonesome and capable, at worst, lonesome and hard. And is that what we want? No.
According to Biblical history and all of the history of the world, the blues was built in man from the beginning. The first thing that came out of man is the blues because, according to the Scriptures, when God made man, man was lonesome and blue.
A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling or teaching or ordering. Rather he seeks to establish a relationship of meaning, of feeling, of observing. We are lonesome animals. We spend all life trying to be less lonesome.
Blues is a tonic for whatever ails you. I could play the blues and then not be blue anymore.
Blues is my life. It's a true feeling that comes from the heart, not something that just comes out of my mouth. Blues is what I love, and blues is what I always do.
In the same way I wanted to learn how to play poker, I've always kind of been into the blues. It just seems like a cool thing, but I didn't know much about it. So I thought, 'Hey, let's really learn about the blues.'
I liked the 12-bar blues because everybody could play it, but they could also play it their own way, and they could express their own emotions using that as a structure.
The amazing thing about Sweets [Edison] was that he exactly spoke the way that he played! He was really unique, the one and only. He was one of the greatest Blues players that I ever heard and played with. Nobody can play like Sweets man, nobody! Most of us, musicians, frequently quote Sweets' phrases in our solos. Like Lester Young, Sweets had a big influence on us musicians, especially when we play some Blues.
I like all the kinds of music I've been into. I'm certainly not a purist in that I will only play country licks in a country song or blues licks in blues stuff. The thing I would like to be able to do is to make the music sound right no matter what it is. If somebody else wants to have a label for it, then that's their business.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
I don't play anything but the blues, but now I could never make no money on nothin' but the blues. That's why I wasn't interested in nothin' else.
My earliest acting memory is making up a play for my mom and dad called The Lonesome Baby. I have no idea what The Lonesome Baby was about. I just remember the title. But I'm sure it was an epic.
I don't like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don't have no style. It's a deep feeling-you just can't stop listening to that sad blues sound. My sound.
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