A Quote by David Edwards

I played with so many musicians and some of the musicians would have something I want. I steal a lot of them, and I mash it up, I mash it up into my chords. — © David Edwards
I played with so many musicians and some of the musicians would have something I want. I steal a lot of them, and I mash it up, I mash it up into my chords.
But lots of people do parody now. The whole mash-up thing that's so prevalent now was starting in the 80's when I was starting to think about this stuff. I certainly wasn't the first person to do it but now... comics mash-ups, all kinds of mash-ups are everywhere.
It's all about the balance. For musicians, me personally, you just can't keep doing covers or mash-ups. It would get old pretty fast.
Part of doing mash-ups is getting the legal rights to use the songs. If you're going to do a mash-up with five songs, you should probably find 10 songs, because you're only going to get half of them cleared. It's a real collaborative effort.
I was working in the lab late one night When my eyes beheld an eerie sight For my monster from his slab began to rise And suddenly to my surprise... He did the mash He did the monster mash The monster mash It was a graveyard smash.
A great state is a well-blended mash of something of all the people and all of none of the people. The liquor of statecraft is distilled from the mash you got.
Something I've learned being in this industry for so long is that if you want to work with somebody, call them up. Very few musicians have any illusions about genre boundaries. They are useful descriptive terms, but they don't really bind musicians.
Coming from Haiti and growing up in Brooklyn, there's a lot of European influence when I get dressed up. I wear a lot of fitted suits, elegant cuts; I think it's cool to mash up a lot of different looks.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
We are all musicians, and we're not really good musicians. But we have this gracious gift that has been bestowed on us, and we don't want to disappoint. So I guess our biggest fear would be, just giving up.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Back then we were young, we would just mash all forms of music together and come up with something.
Sometimes kids want a hamburger, but I'll fill it up with a quinoa tikki. We eat makhana instead of popcorn; we even take it to the movie theater! I also mash up a lot of vegetables and put it in the aata, so they don't realise they are eating vegetables.
I'm a mash-up of everyone. My influences would be Michael Jackson, Brandy, Aaliyah - those types of people. So if you can imagine them - and with me taking them, and then putting my own twist and the influence on it - that's musically what I would sound like.
There are people who are really great musicians. I've met a lot of them. And I'm not a great musician. I'm adequate enough to be able to throw some chords together and write songs, but I can only feel that because I'm expressing something honestly, or in a heartfelt way, or in some way that's not bullshit, that in some way the songs have merit.
If you're just starting off as an artist, steal as much inspiration from everything you like, as much as you can. Take from books, from poets, from musicians. Just steal stuff from all over the place and then mix it up to make something of your own.
If you DJ reality, that is, if you make a mash-up of actual reality, you're going to end up with something that inevitably people will say, "This is feminist." Because you cannot avoid that.
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