A Quote by David Elliott
We are concerned with the relationship between art and life. Contemporary art is only intelligible in terms of its relationship to our life.
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While 'The Endless Summer' poster was designed at the Art Center College of Design in the contemporary style of its time, the image grew out of my relationship with Rick Griffin and our deep relationship to surf images.
I think you too recognize the important relationship between philosophy and art, and it is just this relationship that most painters deny. The great masters do grasp it, unconsciously; but I believe that a painter's conscious spiritual knowledge will have a much greater influence upon his art, and that it would be due only to a weakness in him, or lack of genius, should this spiritual knowledge be harmful to his art.
If we are unhappy without a relationship, we'll probably be unhappy with one as well. A relationship doesn't begin our life; a relationship doesn't become our life. A relationship is a continuation of life.
People don't like contemporary art, but all art starts life as contemporary - I can't really see a difference.
The relationship between the United States and Mexico goes over and beyond the relationship between two governments. This is a relationship that has been built as of two peoples who have a common life, or millions of people who have their everyday lives in both nations; a relationship that undoubtedly involves millions of inhabitants of both countries.
Art is drama. Any relationship to art is also a relationship to death.
What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?
In the past, art was admired and revered from afar. Today, there is more of an interactive relationship between the art and the person who admires it.
To approach a city, or even a city neighborhood, as if it were a larger architectural problem, capable of being given order by converting it into a disciplined work of art, is to make the mistake of attempting to substitute art for life. The results of such profound confusion between art and life are neither life nor art. They are taxidermy.
"Contemporary art" for me is a kind of historical term that describes the 40 years between the Berlin Wall going up and then coming down. I'm not sure who will come up with a better term to describe art, but I think contemporary art is actually done for.
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
The beauty of reality-based art - art underwritten by reality hunger - is that it's perfectly situated between life itself and (unattainable) "life as art".
I hope everyone can examine what is the most important relationship in life - the relationship between parent and child.
When we look at the wider picture, the relationship between the U.K. and America, I know how valuable the friendship is between our two nations. As home secretary, I can tell the House that the importance of the relationship between our countries, the unparalleled sharing of intelligence between our countries, is vital.
...it is in the nature of original contemporary art to present itself as a bad risk. And we the public...should be proud of being in this predicament, because nothing else would seem to us quite true to life; and art, after all, is supposed to be a mirror of life.
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
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