A Quote by David Faustino
Corin Nemec, who was on television for years, has been through a similar thing. We both had TV shows, we've had to hit that audition trail, and we were both frustrated. We were both going through divorces, and we decided to write about this stuff. And make it funny.
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We [me and my husband] both had our things. Seth was the artist, I was the singer. We were like "You do your thing, I'll do my thing and never the two shall meet." I think we had a healthy competition going through our childhood. But I sort of left the funny stuff to him, I said "You're the comedian, you're the jokester, you do that I'll be the more serious one." You need that kind of balance in the family.
They were now both ready, not to begin from scratch, but to continue with a love that had survived for thirteen years in hibernation. They were no longer travellers without baggage. They were no longer twenty. They'd both been around the block a bit and had suffered without the other. They'd both lost their way without the other. Each had tried to find love with other people. But all that was now finished.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
My parents, they were both Socialists; they were young - 30, 31. They were both successful career people. They had been teachers, and my dad spoke English.
Lincoln and Clinton had a lot in common in the way they were elected: In both cases, they were dark horses. In both cases, they were from small states. In both cases, they were not the favorite for their parties' nomination.
There was nobody in the family who had ever done anything like that before. My brothers - I had two brothers. They were twins. They both became architects. They were both six years older.
Both instruments are processors of information. Both appeared when nothing quite like them had existed before, and both began to make their effects felt immediately (a situation that isn't invariable with new technology). Both devices were less the result of a single breakthrough than of an evolving set of technologies. Like the computer, the printing press had no one certain inventor; it was a technology whose time had come.
Both Socrates and Jesus were outstanding teachers; both of them urged and practiced great simplicity of life; both were regarded as traitors to the religion of their community; neither of them wrote anything; both of them were executed; and both have become the subject of traditions that are difficult or impossible to harmonize.
I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me.
I decided at 15 that I didn't want to be one of those artists that gets up and sings love songs they don't mean. I decided that I was going to be me to the fullest extent, that my songs were going to reflect relationships I've had, things I've been through, and even the stuff I'm embarrassed about.
We had met with Ben Stiller here in LA when I was shooting The Ring and he was doing Meet The Fockers and we have friends in common. But we didn't know each other well. He's fantastic and we really had a great time on this and we were both laughing at where we were at, this other couple, and how it was mirroring what we were going through as well. It was clever writing in that way.
Right before 'ANTM,' I was offered a recurring role for the TV show 'Switched at Birth.' I had to pick one because both of the shows were happening at the same time. I couldn't choose, though, so decided to let my dog Foxy decide. She picked 'ANTM!'
My husband and I had the opportunity to write some stuff for other people. We both tried it. I think it lasted about two weeks, and we both felt ridiculous. It just didn't work for us.
The biggest rivalries I've had were with Eddie Guerrero and The Undertaker. I had long, long feuds with both of these men, and both were groomsmen at my wedding.
Prior to Katrina, the South Bronx and New Orleans' Ninth Ward had a lot in common. Both were largely populated by poor people of color, both hotbeds of cultural innovation: think hip-hop and jazz. Both are waterfront communities that host both industries and residents in close proximity of one another.
We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
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