A Quote by David Faustino
I don't want to do something for the sake of doing it. I want it to be a great role and I want it to be really funny - or dramatic - but I mean I want it to be something really, really special.
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I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
I've learned from my experience that desire is 80% of achievement. That if you really, really want something, if you really, really, really want to do something, that the vast majority of achieving it is wanting it. I mean, really wanting it. Not a preference, and not, "Gee, I hope this." I mean really wanting it. It is the desire that makes you do what you have to do to achieve.
What people really want is not to make something funny, but to make something amusing - which, in many ways, is the opposite of funny. To amuse someone is to eliminate discomfort and awkwardness, kind of like a massage for the brain, while to be funny is to point out awkwardness and discomfort. Everyone thinks they want funny, but they really want amusement.
When I hear a great country song, I get chills and I want to cry. You feel something. And just sometimes that magic and the stars line up somehow or another, and it creates something that's really, really, really special.
For me, it really is about a dialogue. Life can be really isolating or terrifying or euphoric - it's all these things. And while I'm here I want to have an exchange. I want something to vibrate. And I want to be really stimulated.
I really want to do a Western. I want to be the dude who is riding horses and doing exciting things - something where I get to do something physical and have to train for it. I don't want to be the damsel.
We'd really like for BlizzCon to be something that the people who really really want to go, if this is something you're really passionate about, you want to be here at BlizzCon, we'd like it to be possible for you to get here. When we are selling out in a couple seconds, it's really not possible for a lot of people that really want to come.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.
I’ve never watched an entire episode of "American Idol." It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on "The Voice" that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.
What's strange is, the people who want to be in the position are never asked to be in the position. Like, if you don't want to do something, then people really want you to do it. And the more you say, "No, really, I'm sorry, it's really not for me," the more they want to convince you that it is, in fact, for you, and that you'd be absolutely perfect.
Sometimes I want to do something that's really funny and other times I read an indie script that is going to be made for nothing but I want to do it because I think that I can connect with something in the story.
I really want to do something great. I want to be out there, I want to help people.
I want to really take chances. I want to be funny in a lot of different ways. I'd like to be great. I want to reach for greatness.
I really want to have a really, really strong, one-sided opinion on something, and be connected to it and tell that story. Until I find that thing or that topic or whatever it is, I don't want to direct.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
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