A Quote by David Finckel

Being an artist and a musician, I have witnessed the previous generation taking the art form, not as a way of making a living, but as a belief, an almost maniacal, sometimes insane devotion and commitment to communication.
Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that. That's what's insane about it.
Individuals who succeed have a belief in the power of commitment. If there's a single belief that seems almost inseparable from success, it's that there's no great success without commitment. If you look at successful people in any field, you'll find they're not necessarily the best and the brightest, the fastest and the strongest. You'll find they're the ones with the most commitment.
Music is an art form too. Sometimes other forms of art can be inspiring to the musician.
Devotion is not drama. Devotion is a way of living. Devotion is the way you walk, the way you breathe, and the way your heart beats.
A key to my thinking has always been the almost fanatical belief that what I was engaged in was a literary art form. That belief was compounded out of ego and necessity, I guess, a combination of the two.
I'm really excited to share cabaret, the art form, not just with the generations that are above me, but also my generation and the generation under me. I think it's an art form that's incredibly important, and I think that my generation is a little unfamiliar with it.
I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.
There's always been an incredible amount of junk music, and junk everything. Marshall McLuhan said that a medium surrounds a previous medium, and turns the previous medium into an art form. So, what was once a junk culture, like film, television surrounded it and turned it into an art form.
If you've been in the art world for more than eight years, you realize another generation is making the exact same work as the previous generation - but treating it like it's never been done before. It becomes very cyclical very quickly.
The tricky thing about being a writer, or about being any kind of artist, is that in addition to making art you also have to make a living.
Tweeting happens to be a modern day form of communication. I mean, you can like it or not like it. I have, between Facebook and Twitter, I have almost 25 million people. It's a very effective way of communication.
The next generation product almost never comes from the previous generation.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
No form of art repeats or imitates successfully all that can be said by another; the writer conveys his experience of life along a channel of communication closed to painter, mathematician, musician, film-maker.
Being a Raiderette is a part-time commitment but we call it a 'part-time full-time commitment.' It ends up almost taking more time than being an attorney.
With each change of definition in art, something considered non-art or bad art by a previous generation is suddenly acceptable.
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