A Quote by David Finckel

I think you can tell a lot from the lives of many of today's great soloists. Their participation and gravitation towards chamber music is ever increasing. — © David Finckel
I think you can tell a lot from the lives of many of today's great soloists. Their participation and gravitation towards chamber music is ever increasing.
I can tell you that many soloists probably wish they could sit.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
Extrapolated, technology wants what life wants: Increasing efficiency Increasing opportunity Increasing emergence Increasing complexity Increasing diversity Increasing specialization Increasing ubiquity Increasing freedom Increasing mutualism Increasing beauty Increasing sentience Increasing structure Increasing evolvability
A lot of ultramarathoners are soloists. They're single and live lives off the grid.
Nelson Mandela stood up against a great injustice and was willing to pay a huge price for that. That's the reason he's mourned today, because of that struggle that he performed I mean, what he was advocating for was not necessarily the right answer, but he was fighting against some great injustice, and I would make the argument that we have a great injustice going on right now in this country with an ever-increasing size of government that is taking over and controlling people's lives, and Obamacare is front and center in that.
our domestic lives reflect the major trend that dominates the consumer marketplace today: an ever-increasing emphasis on variety and choice. ... we find ourselves inventing our lives as we go along, improvising in an effort to take advantage of the bewildering range of choices that we face.
I've had more people in my life take their lives than... I think it's out of proportion with most people. I think a lot of them gravitate towards me because of the music.
The weather today is an increasing trend towards denial.
Christian music has taken a turn towards worship music, which has turned into a lot of bands and those types of sounds. That's great. God is using that stuff and it's great.
There's no way that music could ever go down the tubes. I can't imagine a civilization without music. When you realize today that music is such a part of people's lives. And will always be, really.
I started directing chamber orchestras, then adding bigger pieces, adding winds, adding small symphonies. I've always loved chamber music, and I've done a lot.
With a group of people, it's easer to say, I want this, this and this. It's different with the soloists, because they are the ones who will be in the spotlight. You can't force an interpretation on them. With soloists, it's all about diplomacy.
[Patrick Leonard] is such a magnificent composer. I don't think there is anybody working today with those kind of skills that could translate one of my tunes into that really beautiful chamber music.
I love Iain Murray's definition of worldliness: towards the end of Evangelicalism Divided, he says that worldliness consists of loving idols and being at war with God. I think that's true in the lives of too many professing Christians today.
I am of the generation of segregation. Black Lives Matter is post. I said today, and I will say all the time, "If Nina [Simone] were here, she'd have her Black Lives Matter [T-shirt] on." I think they're great kids. They don't need me or anybody else to tell them what to do.
The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.
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