A Quote by David Finckel
For Rostropovich, every single note that he played had a special kind of human meaning behind it. And this was something that he expressed and demanded of everyone who worked with him, who wanted to rise up to that level.
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I had been playing single note instruments and I wanted to hear a guitar played as a piano.
When I was in high school, I was dating this girl and wanted to make her birthday really special. I showed up early to school and went around to every single one of her classes and left a rose with her teachers. Each rose had a note with a little inside joke.
The world of Stevie Wonder - in particular, the kind of overflowing joy that exists in every single thing I've ever heard him do, every note he sings - that is so deeply inspiring to me in every way.
When I finally got together with Rostropovich as a student, he was very focused, almost entirely focused on the music itself, on what the composer had in mind and what he knew about the composer. Many of the works that I played for him had in fact been composed and written for him; he was often the first performer of these works, having known the composers personally.
Secular music, do you say, belongs to the devil? Does it? Well, if it did I would plunder him for it, for he has no right to a single note of the whole seven. Every note, and every strain, and every harmony is divine, and belongs to us.
I wanted to tell him that I will never be sorry for loving him. That in a way I still do - that maybe I always will. I'll never regret one single thing we did together because what we had was very special. Maybe if we were ten years older it would have worked out differently. Maybe. I think it's just that I'm not ready for forever.
I savored my time on top of the podium by watching the American flag rise up out of the crowd as the anthem played, thinking about how every single second of training I've done was for this minute and how many people played a role in my achievement.
People talk about Frank Sinatra all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
He had a note excusing him from PE for the rest of his life because he had some kind of muscular disease in his legs. He walked funny, like every step hurt him, but don't let that fool you. You should've seen him run when it was enchilada day in the cafeteria.
Scapegoating worked in practice while it still had religious powers behind it. You loaded the sins of the city on to the goat’s back and drove it out, and the city was cleansed. It worked because everyone knew how to read the ritual, including the gods. Then the gods died, and all of a sudden you had to cleanse the city without divine help. Real actions were demanded instead of symbolism The censor was born, in the Roman sense. Watchfulness became the watchword: the watchfulness of all over all. Purgation was replaced by the purge.
Brad Pitt has something about him to where he's played different characters in all his movies, and every single time after he's done, I want to be him.
I mean, Dad was one of these people who simply could not lose, you know? He could not stand it when a kid was beating him. He would go crazy when the child came to that moment, which, you know, you have to come to - I mean, Dad played Old Maids like he played football. He just simply had to win every single thing every single time.
When you showed someone how you felt, it was fresh and honest. When you told someone how you felt, there might be nothing behind the words but habit or expectation. Those three words were what everyone used; simple syllables couldn't contain something as rare as what I felt for Sean. I wanted him to feel what I felt when I was with him: that incredible combination of comfort, decadence, and wonder; the knowledge that, with just a single taste of him, I was addicted.
My mum worked in a grocery shop and played football, and my dad worked with cars, a sales director, and he played to almost a professional level. His dad played as well.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
I love Snoop. I worked with him on 'Old School,' and he's very accessible. He's very kind. He's always nice to everyone, to the crew. He's always got something positive to say. He's very childlike and loves to come and play. So, I had fun working with him.
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