A Quote by David Finckel
We all know that there are many people that can play the instrument perfectly today, up and down with technical perfection, but does the sound connect internally, do they touch people's hearts, how creative are they.... ?
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Too many creative people don't wanna learn how to be technical, so what happens? They become dependent on technical people. Become technical. You can learn that. If you're creative and technical, you're unstoppable.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
I understand that I'm able to connect with people; I have an emotional bonding with people. My strength lies in my ability to tell stories and to touch people's hearts and to move them.
The human voice: It's the instrument we all play. It's the most powerful sound in the world, probably. It's the only one that can start a war or say 'I love you.' And yet many people have the experience that when they speak, people don't listen to them.
How many does it take to metamorphose wickedness into righteousness? One man must not kill. If he does, it is murder.... But a state or nation may kill as many as they please, and it is not murder. It is just, necessary, commendable, and right. Only get people enough to agree to it, and the butchery of myriads of human beings is perfectly innocent. But how many does it take?
Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
If you're just creative, you'll always have to rely on technical people. If you're creative and technical, you're unstoppable.
That was the first sound in the song of love!
Scarce more than silence is, and yet a sound.
Hands of invisible spirits touch the strings
Of that mysterious instrument, the soul,
And play the prelude of our fate. We hear
The voice prophetic, and are not alone.
The more people I meet, the more cultures I start to embrace, the more people I open myself up to - it's a growing process I'm excited about. But it's also a challenge for me, to be at this level and still be able to connect with somebody who's living that everyday life. At first it was something I struggled with, because everything was moving so fast. I didn't know how to digest it. The best thing I did was go back to the city of Compton, to touch the people who I grew up with and tell them the stories of the people I met around the world.
The piano is an instrument I've always loved and so I taught myself. As a rapper, who wants to produce more, being able to play by ear helps a lot because I know where I want an instrument to turn or how I want it to sound without having to do too much work.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
Coming up, a lot of people I looked up to had a signature sound, but I came up, and I was always in search of one, trying to find it, trying to create one. I was never really able to have a creative signature sound, you know?
My talent is definitely a gift. I don't understand where it comes from. I don't play an instrument, and I never went to school for music production, but I know exactly how a song should sound and how to give an artist direction.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
And that's the kind of thing people think, you know, that if you sign up to be a singer-songwriter you know how to deal with people setting up hate websites, or people being obsessed with you and crying when you touch them, but you don't, and you just have to deal with.
For the most part, 99 percent of jazz is boring; you've heard it before. People aren't doing anything creative that's extremely modern. They tend to always be like "Let's do a tribute to Miles Davis!" All the new albums are tributes to history. It becomes too much at a certain point, it leaves us waving like "Hello? I'm alive, I'm here!" You know? So I really do feel like it needs some spice, it needs to be relevant to today's times, today's people, today's sound.
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