A Quote by David Finckel
I don't think too much about the past when I am actually playing, I prefer to concentrate on the present. The performance of a piece, no matter how long ago or where it was written, is always a new production, something that comes alive in the present. And it doesn't matter if the piece was written two or three hundred years ago if it is alive in us.
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You think you're safe. Until you see a picture like that. And then you know you'll always be a slave to the present because the present is more powerful than the past, no matter how long ago the present happened.
For instance, it's a little better now than it was two or three years ago, but something like 70% of the poems I receive seem to be written in the present indicative.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
Psychoanalysts are fond of pointing out that the past is alive in the present. But the future is alive in the present too. The future is not some place we’re going to, but an idea in our mind now. It is something we’re creating, that in turn creates us. The future is a fantasy that shapes our present.
The past doesn't change no matter how much time you spend thinking about it. Good and bad all add up to the whole. Take away one piece, no matter how small, and the whole changes. Whether it's optimism, pessimism or fatalism, I don't spend my time wishing for the past to be different so present would be different, too. I control my future with what I choose now.
Tradition does not mean a dead town; it does not mean that the living are dead but that the dead are alive. It means that it still matters what Penn did two hundred years ago or what Franklin did a hundred years ago; I never could feel in New York that it mattered what anybody did an hour ago.
Nothing very new. By taking good care of yourselves you are of service to me and my family as well as yourselves, no matter what you do, even if you don't think so at present. But if you neglect yourselves and are unwilling to live, as though following tracks, in accordance with what we now say and have said in the past too, then no matter how much or how seriously you agree with me at present you will accomplish next to nothing.
What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.
It is now the fall of my second year in Paris. I was sent here for a reason I have not yet been able to fathom. I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, i thought I was an artist. I no longer think about it. I am. There are no more books to be written, thank God.
Reality and fiction are really mixed up. The frontier between reality and fiction is tremendously porous and slippery. And in fact, when I remember something that has happened to me a long time ago, let's say twenty years ago, many times I'm not sure if I have actually lived what I am recalling, or I have dreamed about it, or I have written about it, or I have imagined it all.
I don't think many writers like their best-known piece of work, particularly when it was written a long time ago.
That is a goal, to step out on stage and to actually be present. Honestly alive and present. Although, it doesn't always happen. We're fallible, we're imperfect. That's what a lot of books are written about; that's what a lot of religions have sought after is that kind of zen mentality of just being totally neutral and open and vulnerable to all of the forces in the universe without being attached to them.
I think 'The Handmaid's Tale' always had that power since it was written over 30 years ago. This extraordinary piece of feminist literature had its fan base then, but TV has given it an enormous reach.
Two years ago your father died, Ulysses. But as long as we are alive, as long as we are together, as long as two of us are left, and remember him, nothing in the world can take him from us.
Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.
Always let your work talk for yourself. No matter how much you give interviews or how much you are written about, it is always the performance which counts.
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