A Quote by David First
Possibly the only thing we Notekillers place on a higher pedestal than music is laughs, so, of course, we also know that the idea of the title is a kind of humorous futility.
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Sometimes when you hear so much and everybody is praising you, you can get lost in that. You can start thinking that you are on a higher pedestal than everyone else. So I try to stay level headed, humble and the best way to do that is to not really acknowledge it that much. I just keep grinding and working as hard as I can. I also set my goals higher so that I don't have time to be content with my place in life and in my career.
'Have You in My Wilderness,' the title track, is about the idea of possessing a person, or saying, 'You're mine; you're in my world now.' I was drawn to that as an idea less from my own experience than from listening to music written by men that was kind of male gaze-y.
A lot of people have problems thinking of you doing more than one thing. If you do one thing, then you couldn't possibly do another thing well. Of course, we know that's not so.
Neither a person nor a nation can exist without some higher idea. And there is only one higher idea on earth, and it is the idea of the immortality of the human soul, for all other "higher" ideas of life by which humans might live derive from that idea alone.
You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
I love to get to that place where I don't know what kind of music I'm doing; I don't know if it's any good. I don't know if it's anything. It's a big question mark. The idea is to have interesting results. That's my bottom line.
Our Higher Self is the most intimate thing we could possibly know; eternity is the most comfortable home we could possibly fine.
I think that listening to music or creating music is a spiritual undertaking, so the process of creating music, you know, involves listening. It involves sensitivity, it involves humility, you know, and then also it's something which is higher than words.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
When you lead a life of scholarship you can't be bothered with the humorous realities, you know, tits, that kind of thing.
[In] the 21st century, the mainstream can satisfy your every whim. I guess the idea of walking around with groups of people dressed the same and saying, "I'm only into ska" or "I'm only into whatever" - is kind of restrictive in the 21st century. I don't know if it's a bad thing that these movements have run their course. I think what I miss about it is the collective experience.
I've become kind of a haven for people who like pop music, but that's not the only thing they like. They also like music in general and want to be able to expand their own horizons. They haven't completely given up on music and are willing to have somebody mediate new things that are happening in music to them.
You know, grieve your wife, this is an impulsive thing and you have no idea the kind of trouble you're getting yourself into it. And of course he doesn't listen to me and he adopts this child.
Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
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