A Quote by David Foster Wallace

It did what all ads are supposed to do: create an anxiety relievable by purchase. — © David Foster Wallace
It did what all ads are supposed to do: create an anxiety relievable by purchase.
It is illegal for foreign entities to buy political ads in the United States. But that didn't stop the purchase of thousands of political ads on Facebook, paid for - in rubles - by foreigners.
Using realtime ads, even mortgage companies can create ads that matter to you right now.
Nobody ever wins the first time they run for office. Nobody's ever supposed to win their first bid for office. Nobody's ever supposed to win without taking lobbyists' money. No one's ever supposed to defeat an incumbent. No one's ever supposed to run a grassroots campaign without running any ads on television. We did all of those things.
Ads create dialogue, they create conversation, they create attention - that's our objective.
He wasn't really Method but he believed that when you did a role there were lots of things you could do with your co-star in order to create the right environment. You known, if you were supposed to be in love, to create that feeling between the two of you.
In our case, we focus on quality, and we have a very simple model. If we show fewer ads that are more targeted, those ads are worth more. So we're in this strange situation where we show a smaller number of ads and we make more money because we show better ads. And that's the secret of Google.
I was a boy in the ads I did as a child. My sister was the girl, and I was the boy. I had short hair and I was in overalls and I was giving flowers to my sister Daisy, who fit their model of what a girl was supposed to look like.
I don't think anyone would object to Facebook selling ads or having ads directed at me, as long as people didn't think those ads were manipulated by personal data.
I've been lucky - all the ads I've got, I've got to be myself. I haven't had to act too much or tried too hard to be someone I'm not. I think that's why people sort of like them. Even the Fastrack ads I did with Genelia.
Because it is possible to create - creating one's self, willing to be one's self - one has anxiety. One would have no anxiety if there were no possibility whatever.
Modern cosmetic surgeons have a direct financial interest in a social role for women that requires them to feel ugly. They do not simply advertise for a share of a market that already exists: Their advertisements create new markets. It is a boom industry because it is influentially placed to create its own demand through the pairing of text with ads in women's magazines. The industry takes out ads and gets coverage; women get cut open. They pay their money and they takes their chances. As surgeons grow richer, they are able to command larger and brighter ad spaces.
I spend a good deal of time doing, for anxiety what's known as exposure therapy where basically you're supposed to confront things that cause you anxiety and learn to tolerate. It's all about learning to tolerate discomfort rather that avoiding anything that might make you feel uncomfortable.
When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.
We all just kinda did everything we thought we were supposed to do and girls dated the guys they were supposed to and did things with the guys they were supposed to.
'Ms.' always flouted the rules of the ad world that say, especially for products directed at women, that the ad must be connected to the editorial. You don't have food ads unless you have recipes. You don't get clothing ads unless you have lavish fashion coverage. We never did that; every other women's magazine does.
If there be ground for you to trust in your own righteousness, then, all that Christ did to purchase salvation, and all that God did to prepare the way for it is in vain.
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