A Quote by David Foster Wallace
Most of the writers I know are weird hybrids. There's a strong streak of egomania coupled with extreme shyness. Writing's kind of like exhibitionism in private. And there's also a strange loneliness, and a desire to have some kind of conversation with people, but not a real great ability to do it in person.
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The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
His [Erwin Schrödinger's] private life seemed strange to bourgeois people like ourselves. But all this does not matter. He was a most lovable person, independent, amusing, temperamental, kind and generous, and he had a most perfect and efficient brain.
Most people are really nice but some stare, like you're some kind of zoo exhibit and not a real person with real feelings.
I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.
To an extreme athlete, there's a certain appeal to doing extreme things - seeking the most extreme physical challenges in some of the most extreme climates in the world. Testing and expanding the limits of human endurance is kind of my thing.
Drawing creates its own kind of private space. Coupled with certain interests that I want to speak to in my art, it's really kind of a safe haven for me. Creating art is not only a comfort zone, but also a way of speaking to my passions.
My plight has given me a strange kind of wealth, the most important kind. I value each moment that is not spent in pain, desperation, hunger, thirst, or loneliness.
Man, that's the only kind of book I like ? one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
The one on Fresh Hell is a little easier, because we make it up. It's a strange kind of hybrid of the real me and... Well, obviously it's me standing there, and it's my voice and my face, but it's also kind of filtered through Harry Hannigan's take on the character, the one he's writing.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.
Who we are? Us!Right? What kind of people are we? What kind of person are you? Isn't that the most important thing of all? Isn't that the kind of question we shloud be asking ourselves all the time? 'What kind of person am I?
To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
I'm not a big fan of that kind of stuff - of Twitter and Facebook. I just feel like I'm a very private person and I do enjoy personal interaction. It is nice to be able to talk with the fans, in person. I don't know if it's 'cause I'm just old-fashioned, but I'd rather a face-to-face conversation.
There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.
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