A Quote by David Foster Wallace

The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the ‘Oh how banal.’ — © David Foster Wallace
The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the ‘Oh how banal.’
He was sitting not far away, watching me, and I surprised a smile on his face, the first real smile I had ever seen him give, a smile that curved and softened the tight mouth, and warmed the ice-cool eyes; a smile that brought the blood to my face and made my heart turn over.
Cities are gentrified by the following types of people in sequence: first the risk-oblivious (artists), then the risk-aware (developers), finally the risk adverse (dentists from New Jersey).
"Patience, grasshopper," I counseled. "You don't want to seem overeager." "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said."You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?""But you don't even have my phone number," he said."I strongly suspect you wrote it in this book."He broke out into that goofy smile. "And you say we don't know each other."
Redemption in Christ should give the artistically gifted not only a new orientation and a new sense of purpose, but also a new vision of reality, seeing the world through the eyes of faith, looking at the human condition through the eyes of Christ.
How full and rich a world Theirs to inhabit is-- Sweet scent of grass and bloom, Playmates' glad symphony, Cool touch of western wind, Sunshine's divine caress. How should they know or feel They are in darkness? But, oh, the miracle! If a Redeemer came, Laid finger on their eyes-- One touch and what a world, New-born in loveliness!
Why are you still wearing...?" Aya began. "Oh, that's not smart plastic? You're really an ugly?" David rolled his eyes and Shay said quietly, "David's never had any surge at all. But I wouldn't use the word ugly...Tally might eat you.
Oh, please," I rolled my eyes, "You're a leftie, Barrons." "Touche, Ms. Lane," he murmured.
Are we willing to risk being misunderstood and maligned in order that truth might be told and men might be saved? Identifying a malady and explaining its seriousness are always the first steps to finding a cure... God has ordained that men come to conviction of sin, repentance, and saving faith through preaching. Yet how can the [Holy] Spirit use our preaching if we are not willing to expose sin or call men to repentance?
The motive is this, 'Oh! that God could be glorified, that Jesus might see the reward of his sufferings! Oh! that sinners might be saved, so that God might have new tongues to praise him, new hearts to love him! Oh! that sin were put an end to, that the holiness, righteousness, mercy, and power of God might be magnifi ed!' This is the way to pray; when thy prayers seek God's glory, it is God's glory to answer thy prayers.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
There is a clear difference between sexist parody and parody of sexism. Sexist parody encourages the players to mock and trivialize gender issues while parody of sexism disrupts the status quo and undermines regressive gender conventions.
But what Dakota most enjoyed about the beginning of winter was the crispness of the air (that practically demanded the wearing of knits) and the way that tough New Yorkers - on the street, in elevators, in subways - were suddenly willing to risk a smile. To make a connection with a stranger. To finally see one another after strenuously avoiding eye contact all year.
Lips half-willing in a doorway. Lips half-singing at a window. Eyes half-dreaming in the walls. Feet half-dancing in a kitchen. Even the clocks half-yawn the hours And the farmers make half-answers.
I actually have eyes that irritate easily, so I wear the glasses to keep stuff out of my eyes. If you see me in shades indoors, you might be like, 'RZA is wearing shades inside. What the hell is going on?' I'm protecting my eyes, and I'm looking cool.
You need to decide whether you're willing to risk being hurt, plain and simple. You can go for it and have a wonderful relationship. Or you might go for it and crash and burn brilliantly. It's up to you if you want to take that risk, up to you if it's worth it or not.
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