A Quote by David Foster Wallace

'This thing I feel, I can't name it straight out but it seems important, do you feel it too?' — this sort of direct question is not for the squeamish. For one thing, it's perilously close to 'Do you like me? Please like me,' which you know quite well that 99% of all the interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obscene.
In terms of playing like a straight leading man type thing, I feel like all these guys are kind of not necessarily leading men but straight kind of characters. Even though they may seem bizarre or strange, I feel like I think everybody's nuts. I mean, I really do. And the weirdest thing in the world is to see some guy who is just super earnest.
And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.
The most important thing for me is the thing I strive for. But I also hope when I play my songs for people - adult, children, mostly children - that they feel mighty, they feel noble, they feel like warriors. And they feel like they can do anything in the world because that's how I feel.
The thing that bothers me is that it seems like all the sensitive stuff I write just goes unnoticed . . . the media doesn't get who I am at all. Or maybe they just can't accept it. It doesn't fit into those negative stories they like to write. I'm the kind of guy who is moved by a song like Don McLean's "Vincent," that one about Van Gogh. The lyric on that song is so touching. That's how I want to make my songs feel. Take "Dear Mama" - I aimed that one straight for my homies' heartstrings.
Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.
I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
I've never been one of those who is attracted to straight men. Like I always said, 'you're straight, so there's no point' and I have friends who are pursuers of the heterosexual men. They see it as conquests, which I think is a different thing and a more narcissistic thing. And not necessarily a healthy thing.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
The hardest thing, and the most difficult thing, is to do the most simple thing. Because that means that you've had to weed out every other option. I kind of feel like that about a good pop song, too. When it's right, it's perfect, you know?
My parents probably feel closer to the U.S. They feel America came to our rescue in the war and all that sort of thing. And for their generation the war still goes on. We still save food and little bits get scraped off and boiled out the next day.
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
I'm sort of of the belief that people kill themselves from the inside out. When they're unhappy with what they're doing, or not achieving things - when your focus is off-kilter. The thing that keeps me ticking is my values. And I maintain them, because they're worthy. I like to wake up and feel I've done no wrong. I like that feeling.
I like movies! No, I like theater too. And paintings are great, and all of that! But to me, the great sort of artistic medium I think, of our time, is film. I really feel that. I mean to me, there's nothing else out there, where I can sort of suspend disbelief for two hours.
It's odd to look out there and see a bunch of Mini-Mes," says Williams. "You're wondering what possessed them to do such a thing . . . It sort of does a reverse psychology on you. You'd think you'd be like `Hey, all these people want to look like me. I feel pretty cool.' But actually it makes you feel more self aware and I'm not really fond of that.
The most romantic thing is to look someone straight in the eyes and say and mean, “I love you”, that's a lot. It's a really hard thing because you can never be certain of yourself, but at that particular moment, you feel like that. Its magic
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