A Quote by David Foster Wallace
The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.
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Modern technology has taken the angst out of achieving the perfect shot. For me, the only thing that counts is the idea behind the image: what you want to see and what you're trying to say. The idea is crucial. You have to think of something you want to say and expand upon it.
When you get an idea, it's not going to be a great idea until you push it. You’ve got to push it until it’s uncomfortable. And then you’ve got to ask yourself, ‘Does my project say to my audience what I want it to say?’ ”
I have good idea, for if you meet some person from different religion and he want to make argument about God. My idea is, you listen to everything this man say about God. Never argue about God with him. Best thing to say is, 'I agree with you.' Then you go home, pray what you want. This is my idea for people to have peace about religion.
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
There's this famous observation that I totally believe: Great startup ideas are the ones that lie in the intersection of the Venn diagram of 'is a good idea' and 'looks like a bad idea.' So you want most people to think it's a bad idea and thus not compete with you until you get giant. But for it to secretly be good.
I don't have the energy or the mental security to get involved with all that. I think it's a good idea to be able to disappear into the story, so that the first thing the audience sees isn't you, but the part.
I think the critical thing is the product or service that you're trying to raise money for. And probably the best description of that, people should say when they hear, "This is what I want to do. This is what I want to bring to the market." They should say, "Gee! That's a great idea" or "Gee! Why hasn't somebody else thought of that before? Well, that's an incredible idea!" In other words, the more a person is delighted, or astonished, or happy with your product, or service, or idea, the more happy they are to put up money for it.
One of the criticisms I make is to what I refer to as more of a libertarianish right... This whole idea of personal autonomy, well, I don't think most conservatives hold that point of view. Some do. They have this idea that people should be left alone, be able to do whatever they want to do... Well, that is not how traditional conservatives view the world...
You want the audience to get your movie, and you want the audience to like it. It's as simple as that. If they don't understand what you're trying to say, you've failed. Of course, you can't get 100 percent of the crowd to understand the movie, but you know when you've reached the people you want to reach.
I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
Don't recreate something that's already been created and is good. You want to have an idea, think of different idea. Don't think of someone else's idea.
You want an idea about what you can say. I know it sounds like a bad idea but here's specifically why its actually a great one. You want to sound crazy but you want to ask to be right.
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
It's an interesting thing. When you're young you often ask people what they want to do when they're older, then you meet them years later and they're not doing that. I didn't want that. I didn't want to be a singer, but I just believed and knew somehow that I'd be in showbiz, although I had no idea how I was going to do it. Dreams do come true.
I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.
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