A Quote by David Friedman
I've been doing my big theater projects, which take years, and writing a song here and there.
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When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
My projects have typically taken a long time to complete. Buildings might take on average about five to seven years to finish, but in my case it's been longer, because the projects I have accepted within the past 15 years have been mostly government projects, and those involve some politics and funding issues, and approvals and so forth. So they're slower.
Little projects - not feature - film projects - you know, theater things, writing things, and jobs like doing rewriting for money, stuff like that. I don't recommend it. It's not a schedule that I'd want, although it was really good for me in a lot of ways. I became a better writer.
In high school, theater was all I ever wanted to do. I didnt see that I was going to set it aside for so many years and take a right turn into television. Of course, wanting to do theater is something you hear a lot from actors. I think Ive been embarrassed to be in that big cliche.
I havent been doin much comic book writing for the last several years though, as Ive been writing television projects and a novel.
My choices in projects have all been character or role-based, and on a financial level, it's obvious: as an actor on a TV series, I get a wonderful paycheck, and a consistent paycheck, which doesn't always happen when you're doing theater or movies.
I started in theater. I did theater professionally for seven years with my company before I started doing 'Friends.' I was waiting tables and doing theater.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
In fact I wonder if I should bend my own rules a little and for the sake of writing a good song it doesn't have to been so autobiographical, but that's a stupid rule to live by as some of my favourite artists' songs, they have a song that you think is about their life [which] probably even isn't, but it's a great song.
I don't find writing for the theater that different from writing a rock song.
[Theater] has always been a big focus. I have been away from it for the past few years. I want to get back to it!
I hoped that I could learn how to combine an education with acting. But I was unhappy with the direction I chose, so I decided to take on a six-month tour for a musical theater performance, thinking that I'd go back to university in a year. That became two years, then three years, until I really realized I am already doing what I love doing.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.
I just noticed I've been writing lots of female-led things. Two of them haven't been announced yet, but the big Greg Capullo book I'm doing is a female-led story, and I'm doing another series with John Romita which is a female-led story as well.
I have always been interested in theater, as an actor and as someone who looks upon theater - at the risk of sounding pretentious - as an icon by which we measure society... My life has been in the theater to an extent. It's only an extension to write, direct, produce, whatever.
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