A Quote by David Friedman
I've written several deeply personal songs this year, which I really love. Some of them came out of intense sadness. This has been an extremely difficult year for me.
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I love what I'm doing, I really do. This has been a process which has taken me seven years to accomplish. Some bad years, then spending a year with Spurs U18s last year trying to cut my teeth.
I really believe in albums, even though some people believe the year of the album has passed. I love singular pop songs or tracks, but what really affects me most deeply is if there's an hour of music or 45 minutes of music that flows really well and tells a story.
It's been difficult for me to get my head around Diana's death or talk about it. After she died, things were difficult, very difficult. We all have our own traumas and get on with it. But when it's there in your face year in, year out, it's hard.
The first year was hard for me to deal with. The second year was a little bit easier, but still difficult. It took me five years to get it out of me. It was a difficult moment, a difficult time.
Yes, I direct commercials as well. I get these really weird offers and then I have to bid on them and win the job. One offer that I have now, and I've already done this last year for the same company, is for Cash Value Cheese, this cheese out in the midwest. I did two spots for them last year and I'm going to probably do three this year. I also did some for the Utah Transit Authority, which was weird and interesting and they turned out really funny - they actually won an award.
I am deeply gladdened that 1993 has been delcared the International Year of Indigenous Peoples by the United Nations. It is the first year we have had in five hundred years. This is thanks to the struggle of many untitled, unnamed indigenous brothers who, without understanding international law, patiently walked the corridors asking for some time. Thanks to them this international year has been declared.
I think the thing that has made it possible for me to write personal songs and sing them year after year is the sensibility for good writing. Just opening your veins all over the paper is not necessarily going to be interesting. I wanted to speak to people.
The learned are not agreed as to the time when the Gospel of John was written; some dating it as early as the year 68, others as late as the year 98; but it is generally conceded to have been written after all the others.
Some mathematics problems look simple, and you try them for a year or so, and then you try them for a hundred years, and it turns out that they're extremely hard to solve. There's no reason why these problems shouldn't be easy, and yet they turn out to be extremely intricate.
I don't set out to write a play a year. Sometimes I've written two plays a year. There was a period of a year and half when I only wrote half a play. If it depresses some critics that I seem prolific, well, that's their problem as much as mine.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
Some mathematics problems look simple, and you try them for a year or so, and then you try them for a hundred years, and it turns out that they're extremely hard to solve. There's no reason why these problems shouldn't be easy, and yet they turn out to be extremely intricate. Fermat's Last Theorem is the most beautiful example of this.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
One of the difficult things, especially about blogging, is that you put all of your personal out there, into the political. And what's been difficult, for me at least, is trying to keep some of the personal for myself.
I'm in love with artists that are really difficult to cover or to copy. You can only try to copy them, but you will never succeed because it's intertwined with really personal references and really personal ways to exist on stage. They are really strong individuals, and are writing their own songs and know where they want to go.
People who go out and do hits year after year after year, I think the fans deserve more than that. The audiences deserve more than just that. You need to give them something new, or things you really love to sing. And they love it.
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