A Quote by David Frum
No one is murdered in Hungary and there are no illegal arrests, but people have begun again, when they talk to you in a public place looking around to see who's listening. You see that in Slovakia, you're beginning to see that in Poland.
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I will be the personal bodyguard for every investment in my city. If Poland, Czech Republic, Slovakia, and Hungary can transform, then so can Ukraine.
It isn't that they can't see the solution. It's that they can't see the problem. They can't see the problem if they are looking in the wrong place. They can't see the problem if they have blinders on - for 'none are so blind as those that will not see'.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
People are finally able to look around and say, 'I can see the drought, I can see the rising sea levels, I can see the crops dying. Okay, now I get it.' It is finally beginning to sink in that there has been a lot of damage.
The culture is about moving to a place where tobacco and smoking isn't part of normal life: people don't encounter it normally, they don't see it in their big supermarkets, they don't see people smoking in public places, they don't see tobacco vending machines.
A great Awakening has begun. People around the world are opening their eyes to their own spiritual natures. They are beginning to see who they truly are and what they have always been-beings with an eternal past and a glorious future.
There's the Draymond Green you see out on the floor. But that's not me. I mean, it is, but there's more. People see the fiery guy, the competitive guy, the trash talk and everything. But they don't see the love and compassion. They don't see the person. They don't see the real me, who values his friends and puts people first.
I don't view myself as a particularly intelligent people, but I do have one ability that I've demonstrated over and over again, that's helped me see things that other people for whatever reason have not seen. That's that most people see what they expect to see, what they want to see, what conventional wisdom tells them to see. I guess it could be stated that most people only hear the music, not the lyrics of human events.
Truth, I have learned, differs for everybody. Just as no two people ever see a rainbow in exactly the same place - and yet both most certainly see it, while the person seemingly standing right underneath it does not see it at all - so truth is a question of where one stands, and the direction one is looking in at the time.
If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
You see misery, you see misfortune, you see pain, you see suffering. It's all part of the fatalistic way of looking at life.
Some people say I do it too much, but I'm always asking the artist questions. Sometimes - especially with new artists - you can see they're compromising in their mind. You see that look when they're listening to a vocal take and there's hesitation. And I'll be like, 'Are you sure you don't want to do this again?'
I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
If I see someone I see the ghost of them, the air around them, and where they’ve been. If I see a city I see it’s living ghostliness—the stray looks, the dying hands. I see it’s needs and its discomforts locked in apartments.
I'm not out here looking for no garbage cans to curl up in. I'm looking for the same good dreams everybody else is hoping for, but I don't see where they are. Or maybe I see where they are, but I don't see how to get there.
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