A Quote by David Garrett
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
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I was leaving my violin out of a lot of songs, and that's a strange thing to do because I've been playing the violin since I was 2. It's a part of me. Adding pedals and sounds is great because I get to play the instrument I feel most comfortable on and the one I feel gives my truest expression when I'm making a solo or anything like that.
Well, my main instrument is violin, but I think of myself as a songwriter who happens to play violin.
An actor is supposed to be a sensitive instrument. Isaac Stern takes good care of his violin. What if everybody jumped on his violin?
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
I play guitar, bass, drums, piano, and pretty much any sort of stringed instrument - besides violin or cello.
What drew me to the violin was mastering the instrument technically, which I'm continuing to do.
I think when I was pretty young I got really into the tone of my instrument and I remember just playing one note for an hour to just kind of feel the resonance of the violin.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument.
I started playing violin in the 5th grade. They had a program in school where you could get out of class to go play instruments. So I raised my hand, left out of class, me and a bunch of my homeboys, just to get out of class for that day. They asked what instrument you wanted to play and I picked the violin.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
Life is a guy trying to play a violin solo in public, while learning the music and his instrument at the same time.
Our entire being is fashioned as an instrument of praise. Just as a master violin maker designs an instrument to produce maximum aesthetic results, so God tailor-made our bodies, souls and spirits to work together in consonance to produce pleasing expressions of praise and worship. When we use body language to express praise, that which is internal becomes visible.
It is my aim, my destination in life to make the cello as beloved an instrument as the violin and piano.
Life is like playing a violin solo in public and learning the instrument as one goes on.
With the violin, for example, one understands culturally that the sound comes from the instrument that can be seen. With electronic music, it is not the same at all. That's why it seemed so important to me, from the beginning of my career, to invent a grammar, a visual vocabulary adapted to electronic music.
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