A Quote by David Gelernter

Software unification. So that I no longer care what computing device I pick up, whether it's a laptop or desktop, whether it's one I own or one in a public place, whether it has a small screen or a large screen.
Our take was that if we are going to support our customers, we have to help them with video distribution, whether that is iPad, TV, small screen or large screen.
On some level acting is the art of pretend and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
On some level, acting is the art of pretend, and you have to have a highly cultivated sense of imagination. You have to be able to see things that aren't there, no matter what aspect of acting, whether it's green screen, whether it's on stage, whether it's anything else, whether you're working on the radio.
Whether one likes it or not, the screen is a profoundly important source of imagery and storytelling for this generation. For me, books remain a stunning place to tell stories, but the screen has a place.
I don't really discriminate with my art. To me, it's my art, and it's to be expressed through whichever medium is there, whether it's treading the boards in the theater, on the small-screen TV, or on the large screen. I love theater, and it's definitely something I would love to do.
Own what you are, and I mean whether that's art, or whether that's fashion, or whether that's music, or whether that's acting, or whether that's politics, or whether that's literature; it's own what you are, and grab it, and, you know, be as prolific as possible.
I think, as an actress, whether you want to or not, whether you're ready for it or not, people are going to look at what you're doing, and they are going to look up to you, and it's not even really about you; it's who you portray on the screen.
If we have system in which government is in a position to give large favor - it's human nature to try to get this favor - whether those people are large enterprises, or whether they're small businesses like farmers, or whether they're representatives of any other special group. The only way to prevent that is to force them to engage in competition one with the other.
Pictures are written, acted, directed, photo­graphed, edited, scored and all that. The screenwriter determines what scenes are in and what scenes are out; decides whether that bit of information is dramatized or just referred to; whether it takes place on or off screen. There are millions of decisions made by the screenwriter.
The true test is, whether the object be of a local character, and local use; or, whether it be of general benefit to the states. If it be purely local, congress cannot constitutionally appropriate money for the object. But, if the benefit be general, it matters not, whether in point of locality it be in one state, or several; whether it be of large, or of small extent.
Whether it was 'Gangs Of Wasseypur' or whether it's 'LSTCK,' the characters are real, and when you see them on screen, you can identify with them.
Desktop publishing was a big innovation that meant small groups or even poor societies could do their own publication without the capital investment in a major printing press. That's a big difference. Same is true of more advanced technologies - it can offer plenty of liberatory possibilities - can - but whether it does or not or whether it serves for coercion depends on socioeconomic decisions.
It doesn't matter whether the challenge we face is large or small, whether it's a statewide disaster or a crisis just on our own block - Nebraskans face it with courage, goodwill, and the unwavering conviction that we are part of one community of neighbors and friends.
Because you are seen on the screen, whether big or small, the people in remote places are in complete awe of you.
The question is not whether a doctrine is beautiful but whether it is true. When we wish to go to a place, we do not ask whether the road leads through a pretty country, but whether it is the right road.
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
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