A Quote by David Gemmell

A cynic by experience, a romantic by inclination and now a hero by necessity. — © David Gemmell
A cynic by experience, a romantic by inclination and now a hero by necessity.
A cynic should never marry an idealist. For the cynic, marriage represents the welcome end of romantic life, with all its agony and ecstasy. But for the idealist, it is only the beginning.
It's good to be a cynic. I'm a cynic. But the best part of being a cynic is somebody proving you wrong.
A cynic is a kind of romantic who has aged.
Remember, beneath every cynic there lies a romantic, and probably an injured one.
Necessity dominates inclination, will, and right.
Money is the necessity that frees us from necessity. Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic.
Part of what we want to do with the Heroic Imagination Project is to get kids to think about what it means to be a hero. The most basic concept of a hero is socially constructed: It differs from culture to culture and changes over time. Think of Christopher Columbus. Until recently, he was a hero. Now he's a genocidal murderer! If he were alive today, he'd say, "What happened? I used to be a hero, and now people are throwing tomatoes at me!
No one is more romantic than a cynic. I do think that you don't become cynical or 'unsentimental' unless there's a core of romanticism or sentiment that's had a few chips nicked into it.
I don't consider myself a cynic. I think of myself as a skeptic and a realist. But I understand the word "cynic" has more than one meaning, and I see how I could be seen as cynical. "George, you're cynical." Well, you know, they say if you scratch a cynic you find a disappointed idealist. And perhaps the flame still flickers a little, you know?
I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.
It is cynicism, and not idealism, that is generally the mark of youthful immaturity, or rather it is the cynic who is generally the most foolish romantic.
Someone once said a cynic is just a disappointed romantic. That really, really sums me up.
Perhaps no philosopher is more correct than the cynic. The happiness of the animal, that thorough cynic, is the living proof of cynicism.
I've never tried to reach a certain demographic of an audience or try to say: OK, now I'm going to do this type of film to transition myself into more adult roles. Or a romantic hero. Or whatever it may be.
The voice of reason is more to be regarded than the bent of any present inclination; since inclination will at length come over to reason, though we can never force reason to comply with inclination.
When Socrates was about 30, and his father was long dead, he was still pursuing the art of sculpture, but from necessity, and without much inclination.
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