A Quote by David Gill

Players aren't quite as mercenary as people make them out to be. Some of them are but some aren't. — © David Gill
Players aren't quite as mercenary as people make them out to be. Some of them are but some aren't.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
The Premier League is what it is. Some people will see the intensity and quality as a great advantage for your players: it will make them better. Some will see it as a disadvantage because the players play at such a high level and such intensity, it's difficult for them to drum that up, that intensity, with a very short space of rest time.
I make a lot of pots in a year's time and some of them are good and some of them are mediocre and some of them are bad. If they're really bad and I'd be ashamed of them, I throw them out, but if they're mediocre and they'll serve the purpose for which they're designed, that is, a mixing bowl or a soup bowl or a plate or whatever, I sell them. And this income from the sale of these pots permits me to go on and make other pots. It's even more important now that I've quit teaching, because I do not have a teacher's salary to fall back on.
There are three types of pitchers you have to deal with. Some, you just have to tell what town they're in, remind them where they are. Some, you remind them about mechanics, and some, you have to bust their tail. You have to make them your friend and have them trust you.
Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.
Some of the money from the senior players goes to helping out the younger kids. It is from the players' pool, the fines for being late and so on. Some will go to something like the tsunami appeal and some to helping out young players.
Digital technology has thrown a closed shop wide open, and there are more people out there snapping away than ever before. Some of the pictures are bad, some of them are good, and many of them need some seasoning and direction.
I finally stopped worrying what people would think. I found out that almost everybody has some secret, some dark fear that if people knew this about them they wouldn't like them anymore, or would look down on them.
Some of them are funny. Some of them are ridiculous. Some of them are annoying. I don't want to be one of those people that complains about the rumours. I never like it when a celebrity goes on Twitter and says, "This isn't true!" It is what it is, I tend not to do that.
Anyone can take pictures. What's difficult is thinking about them, organizing them, and trying to use them in some way so that some meaning can be constructed out of them. That's really where the work of the artist begins.
I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.
All I wanted to do was be a professional film director with a body of work, and you're going to make some good films, some bad and some indifferent. You don't set out to make a dog, you set out to make something good. But I like them all.
I love the protest signs protected by the First Amendment - some of them humorous, some of them passionate, some factual, some entirely incorrect - all of them free ideas.
I'll always be known reaching out to young people who have no one to help them out, so I help them out with a place to stay or some food to eat or some change for their pocket.
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