A Quote by David Gilmour

No one can replace Richard Wright. He was my musical partner and my friend. — © David Gilmour
No one can replace Richard Wright. He was my musical partner and my friend.
No-one can replace Richard Wright - he was my musical partner and my friend.
I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
In her excellent, entirely readable Richard Wright, Hazel Rowley accomplishes what [previous biographer] Michel Fabre would have liked to do with once-guarded letters, aging witnesses, previously unidentified girlfriends. . . . Mostly, Rowley concentrates on telling Wright's very powerful story.
In the old days, one married a wife; now one forms a company with a female partner, or moves in to live with a friend. And then one seduces the partner, or defiles the friend.
Yeah, it's a lot harder to find a musical partner than a love partner.
I must confess that the original 'Pretty Woman' was terrific and a hit, but I always felt that creatively I didn't do justice to Richard Gere's character. So in the musical, we have some great new moments for Richard's character.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
If we have any hope for survival of the music that we all love, compassion must replace name-calling, fairness must replace greed, and we need to come together as a musical community and try to understand each other's problems.
A friend of mine, a friend of yours. My better half, Richard Stephen Sambora
Steven Wright can do Steven Wright very well. Not everyone can do Steven Wright's jokes with the same results.
I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them.
I think I could beat Joe Frazier singing. I was in a Broadway musical called Big Time Buck Wright.
Reverend Wright has been my friend and mentor for over 20 years.
I think I was drawn to black culture by the same things that have been drawing the entire world to it since the days of Richard Wright, Josephine Baker and Louis Armstrong. This culture is original, potent and seductive.
As much as I love to slay a red carpet hitting the ground running with 'Beale Street' and 'Native Son,' representing two such important voices in James Baldwin and Richard Wright let people know that I'm an artist and I really have something to say with this gift.
True friends are the whole world to one another; and he that is a friend to himself is also a friend to mankind. Even in my studies the greatest delight I take is of imparting it to others; for there is no relish to me in the possessing of anything without a partner.
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