A Quote by David Gilmour

That’s the great illusion of travel, of course, the notion that there’s somewhere to get to. A place where you can finally say, Ah, I’ve arrived. (Of course there is no such place. There’s only a succession of waitings until you go home.)
Home is the place you return to when you have finally lost your soul. Home is the place where life is born, not the place of your birth, but the place where you seek rebirth. When you no longer have to remember which tale of your own past is true and which is an invention, when you know that you are an invention, then is the time to seek out your home. Perhaps only when you have come to understand that can you finally reach home.
Studio 54 was the place you could never get into. Of course, the place you can't get into is the place everyone is trying to get into.
A plane is a bad place for an all-out sleep, but a good place to begin rest and recovery from the trip to the faraway places you've been, a decompression chamber between Here and There. Though a plane is not the ideal place really to think, to reassess or reevaluate things, it is a great place to have the illusion of doing so, and often the illusion will suffice.
The two impulses in travel are to get away from home, and the other is to pursue something - a landscape, people, an exotic place. Certainly finding a place that you like or discovering something unusual is a very sustaining thing in travel.
I found that quiet place in my home that is my place of refuge. I don't care if you got kids or if you are married. You got to find that one place that is your everybody-off-limit place: unless this place is on fire, or you need to go to the emergency room, don't disturb me. You can go to this place and cleanse, meditate, let God speak to you.
Can life be defined? Well, how would you go about it? Well, of course, you'd go to Encyclopedia Britannica and open at L. No, of course you don't do that; you put it somewhere in Google. And then you might get something.
Of all modern notions, the worst is this: that domesticity is dull. Inside the home, they say, is dead decorum and routine; outside is adventure and variety. But the truth is that the home is the only place of liberty, the only spot on earth where a man can alter arrangements suddenly, make an experiment or indulge in a whim. The home is not the one tame place in a world of adventure; it is the one wild place in a world of rules and set tasks.
The Élysée Palace is a place laden with history. It is a place where power has left its mark - over the course of centuries, ever since the revolution. You just sort of become part of it and continue the history. But, of course, there is a sense of gravitas.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.
When a human being becomes so still that they begin to lose awareness of their gender, and they are simply looking into that abyss where there is no notion of self whatsoever, the world disappears. And that's really the only place to go. It's the only place to remain.
Of course I'd like someone in my life. And of course, when I go home in the evening, I wish there was someone waiting for me. But very honestly, I don't have time to be lonely. My work fills up most of my day, and when I get home, I just want to sleep.
Time is only an illusion produced by the succession of our states of consciousness as we travel through eternal duration, and it does not exist where no consciousness exists in which the illusion can be produced; but "lies asleep."
Ah, well, do I wish that we lived in a world where gender didn't figure so prominently? Of course. Do I even think about myself as a woman when I go to make art? Of course not.
No one has ever described the place where I have just arrived: this is the emotion that makes me want to travel. It is one of the greatest reasons to go anywhere.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
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