A Quote by David Gilmour
She was a stirrer of the pot, a lover of intrigue and distress, a creature who seemed to draw oxygen from the spectacle of people at each other's throat, everybody in a state of upset and talking about her.
Related Quotes
Princess Diana talking to Prince William about the loss of her title Her Royal Highness: She turned to William in her distress. She (Princess Diana) told me how he had sat with her one night when she was upset over the loss of HRH, put his arms around her and said: Don't worry, Mummy. I will give it back to you one day when I am king.
I can't catch her by copying her, I can't draw her with a borrowed stencil. She is all the things a lover should be and quite a few a lover should not. Pin her down? She's not a butterfly. I'm not a wrestler. She's not a target. I'm not a gun. Tell you what she is? She's not Lot no. 27 and I'm not one to brag.
When Grandma Mazur is talking about the reason for the improved play of her 91-year-old bowling teammate, she said: "She's doing better now that we got her the longer tubing to her oxygen tank.
I liked it. I liked her. And every time I saw her, she seemed more beautiful. She just seemed to glow. I'm not talking like a hundred-watt bulb; she just had this warmth to her. Maybe it came from climbing that tree. Maybe it came from singing to chickens. Maybe it came from whacking at two-by-fours and dreaming about perpetual motion. I don't know. All I know is that compared to her, Shelly and Miranda seemed so...ordinary.
When we get to A League Of Their Own, I have to be Geena Davis' little sister who wants to be like her and wants everything that she has and is jealous and upset and mad. Well, that was easy. I mean, she has an Academy Award. I think I can be upset about that. She's 99 feet tall and she's drop-dead gorgeous and she's all feminine and pretty. I had to pretend I couldn't run as fast as her. That was hard.
I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
If Sara had been a boy and lived a few centuries ago, her father used to say, 'she would have gone about the country with her sword drawn, rescuing and defending everyone in distress. She always wants to fight when she sees people in trouble.
He had known so much about her once -what she thought, how she felt, the reasons for her actions. And now he only knew that he loved her, and all the other knowledge seemed passing from him just as he needed it most.
First, she wanted to taste the sweat that shone on his throat and fragile clavicle; then he chose to undo the tails of her shirt, that she had tied up beneath her breasts; then, but then impatient they forgot about taking turns and quarreled silently, eagerly over each other, like pirates dividing treasure long sought, long imagined, long withheld.
We have to work together. We have to support each other. When we hear about a wonderful woman, we have to tell other women about her. Help her, prop her up. Give her what she needs. That's a big lesson.
Occasionally people would come to me. I was sitting with a woman one day and she was telling me her story and I was in a state of listening, a state of bliss as I was listening to the drama of her story, and suddenly she stopped talking and said, "Oh, you are doing healing."
Religious distress is at the same time the expression of the real distress and also the protest against real distress. Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of the spiritless condition. It is the opium of the people.
With all the people hating and hurting each other, I don't understand how people could get upset about people of the same sex caring for each other.
The chaos surrounding her was confusing. Everyone was suddenly talking at the same time. Perhaps she should try to swoon after all, Christine considered. No, the settee was already taken, and the floor didn't look all that appealing. She settled on wringing her hands. It was the best she could do to look upset.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician