A Quote by David Ginola
I have been inundated with offers to move into a career in television or film, and these, too, are tempting.
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In fact, I used to get film offers even when I was playing Lord Ram on television. However, none of them were worth jeopardizing my thriving television career.
Film, theater and television always kind of scared me. I don't ever seriously think of myself as an actor at all, and I don't plan any film career or television career.
I've been lucky enough to do theatre, film, and television for a career. Unless I get offered a job as an astronaut, I won't stray too far from it.
Live theatre provides a rush you can't get in film or television. But it is the TV and film work that offers the leisure to go off and do a play.
If you do a bad role in a film, you may not get television offers in future.
Nothing is a career move. Everything I've done this year has so not been a career move.
I turned down a film that was offered to me in the very early '80s, a Scorsese film. That probably wasn't a good career move.
In 'Chernobyl,' which was created and written by Craig Mazin and directed by Johan Renck, the material culture of the Soviet Union is reproduced with an accuracy that has never before been seen in Western television or film - or, for that matter, in Russian television or film.
I'm not saying I want a film career because I think I'm too good for television. I'm simply saying I want more control over my life.
Engaging in a sycophantic way with any politician in the short term is tempting. It offers the lure of access and the promise of influence. But ultimately, it can lead to misreading the environment, giving too much of an ear to the politician's circle, and confining your audience to partisans.
I'm unapologetic about multi-tasking. From being a television producer to a musician, an actor, and a film producer, I would like to believe there has been growth in my career.
When a city is inundated with water, the water will move in all of the streets. Every pathway that has been made will be used. It doesn’t matter the reason of its making.
Another possible source of guidance for teenagers is television, but television's message has always been that the need for truth, wisdom and world peace pales by comparison with the need for a toothpaste that offers whiter teeth *and* fresher breath.
I have had several offers to make the book into a film. I don't know if the message could be accurately transmitted, and so I have been somewhat hesitant in granting film rights.
I've always been a super-fan of television storytelling. It took me a while to figure that out in a career capacity, but certainly in a life capacity, I've been an avid viewer of television for decades.
Our biggest art forms are film and television, and there hasn't been a great film about 9/11 yet, nor has there been a great television series. Something like The Wire gives us a rich and fully achieved picture of the wasteful, cruel War on Drugs; something like The White Ribbon gives a perspective on World War I that could only have been presented long after the event itself.
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