A Quote by David Giuntoli

The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
All astronauts, even civilians like me without pilot experience, have to learn how to co-pilot a jet called a T-38.
When Michael Bay called me, I'd worked with him before on 'The Rock,' and he called me and said, 'Tony, I might have something for you.' I said, 'Okay, you haven't called me in ten years!' He said, 'I've been busy!' I said, 'I've been busy too Michael, glad we could make our schedules match!'
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.
I grew up in a family where I was told there were no limitations on me as a girl and I could be anything I wanted to be. It wasn't until I joined the military that I realized that just because I was a woman - just because I had ovaries - I couldn't become a fighter pilot.These structural limitations were the motivation for me becoming a fighter pilot in the first place.
I believe in God. I got down on my knees and I said, 'I get it. If this isn't for me, then it isn't for me.' And then a week later, I started working. I worked on 'The Following,' I worked on 'Elementary,' I worked on a pilot and then I got 'Orange.' So literally from that moment of deep surrender, that's when you're blessed.
This pilot, by far, was the best I ever read - and I hope that insults every other pilot I worked on.
I had worked for ten years in theater; I had worked at Second City in Chicago. Then I got to Hollywood, and I was like, naively, 'Where's my pilot?'
For the last four or five years, I had been in the position where I didn't have to take a pilot. I took this one because the script and the people were terrific. It never frightened me. As we were doing the pilot, I could tell that it was working.
I did a pilot for Judd Apatow when I was 20 years old, so 18 years ago. The same year that he did that pilot, he made another pilot called Freaks And Geeks.Judd felt bad for me because I was living in L.A. by myself. Not only did he put me in an episode of Freaks And Geeks, but he was like, "Hey, just come hang out. I'm on set, getting to know everybody." I started hanging with everybody, and they were all either my age or a little younger. Seth and I just got along really well - Jason Segel and I, too - and before you know it, it was a really strong, solid group of friends.
In the future, airplanes will be flown by a dog and a pilot. And the dog's job will be to make sure that if the pilot tries to touch any of the buttons, the dog bites him.
'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.
I had never worked in television before 'Freaks and Geeks,' and 'New Girl' is the first time since that I've worked on a series that is actually a series and not just a pilot.
I love working in television, and I've been thrilled to be a part of so many wonderful shows. I worked with Lady Gaga on 'Gossip Girl,' and the brilliant Felicity Huffman on 'Desperate Housewives,' but I think my favorite TV job so far was the pilot I shot for the CW Network this year called 'Joey Dakota.'
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and she gave me my first film role, actually, back in 1997.
I had never worked in television before Freaks and Geeks, and New Girl is the first time since that Ive worked on a series that is actually a series and not just a pilot.
I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
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