A Quote by David Giuntoli
Every time I see David Giuntoli on set, it feels like there's a huge load off his shoulders, because when it's me, it's real and it's flirtatious and it seems like it's way more fun.
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I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
If you give up the guilt, that's a huge load off your shoulders.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.
In our culture of constant access and nonstop media, nothing feels more like a curse from God than time in the wilderness. To be obscure, to be off the beaten path, to be in the wilderness feels like abandonment. It seems more like exile than a vacation. To be so far off of everyone’s radar that the world might forget about us for a while? That’s almost akin to death…[But] far from being punishment, judgment, or a curse, the wilderness is a gift. It’s where we can experience the primal delight of being fully known and delighted in by God.
I can also be very happy in this life, but it's usually happiness that I get from other lives I've lived and other dimensions. This life is hardly important to me. It's very small compared to the importance that I think the fourth and fifth dimension have. Those places are much more real to me, like when you have a dream and it's more real to you than real life. Compared to where I'll be going, this life seems like a dream that just feels like a dream.
There's no set like a Ryan Murphy set, mainly because it feels like he's built an entire world. He's so thoughtful and meticulous, and every detail is thought about and cared for.
Well I forgot how different it was because I've been here for about four or five years. It's a big load off my shoulders now. Now that I'm there, I'm like, man, I can breathe a little bit, you know?
I guess the way I describe it is when basketball players talk about being in the zone and they feel like they can't miss. That's the way a running back feels when the game is in slow-motion. It feels like every cut is right, every run is going to be at least 10 yards. You see what the defense is doing. You know what they're trying to do to you. It's awesome.
When most people come in from work, 95 percent of them reach for the remote control. Then they read before they go to sleep, to get off to sleep. They do that because reading feels like a duty, and TV feels like fun.
Every time that I'm in the dark, I imagine what might be lurking in the shadows. It's kind of like a drug in that way - darkness seems to change the way I think - making me way more prone to fear.
I try to find some sort of meditative hobby to do on set, and it's different for every film. There's a lot of downtime, but I don't like reading on set because it feels like you're taking yourself out of your world, instead of being present. And then, you feel like you're not ready to do whatever you have to do.
If it seems like you can see farther than most people, it is because you're standing on shoulders of giants.
I love Jonathan Richman - I love a lot of his music, and the thing I really like about him is his attitude. He seems very happy, and the way he performs is like, 'Don't worry, everybody, just get into it. I'm just having fun; I like when you guys are having fun.'
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
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