A Quote by David Gower

So much depends on the performance, and here you are also tied up in the emotion the game evokes. — © David Gower
So much depends on the performance, and here you are also tied up in the emotion the game evokes.
If I'm doing something on stage, and it evokes an emotion, then I might show that emotion, but I also don't believe in being a preacher. If you have a point, that's a bonus. But the funny has to come first; otherwise, you shouldn't call yourself a comedian.
Love of consciousness evokes the same in response Love of feeling evokes the opposite Love of body depends only on type and polarity.
Music evokes emotion and emotion can bring it's memory.
I use all types of instruments, really depending on the film. Instrument choices are very much tied to lighting, colors, art direction, as well as the narrative elements. I have a great collection of vintage synths, and of course I do like to write for acoustic instruments. I find the depth and intricacy of sound and emotion you can get with acoustic ensembles extremely versatile and effective in the overall sound environment. Also, the human aspect of performance is such an important part of the music score to character connection.
Expected outcomes contribute to motivation independently of self-efficacy beliefs when outcomes are not completely controlled by quality of performance. This occurs when extraneous factors also affect outcomes, or outcomes are socially tied to a minimum level of performance so that some variations in quality of performance above and below the standard do not produce differential outcomes
I propose that a teacher's pay be tied to merit, not tenure. And I propose that a teacher's employment be tied to performance, not just showing up.
How much freedom I have depends on the number and nature of my options. And that, in turn, depends both on the rules of the game and on the assetts of the players: it is a very important and widely neglected truth that it does not depend on the rules of the game alone.
You do not hate the time you waste; it evokes a much more passive emotion than that. You only wish you had it back, like a quarter in an unlucky slot machine.
So much depends upon our willingness to make up our minds, collectively and individually, that present levels of performance are not acceptable, either to ourselves or to the Lord. In saying that, I am not calling for flashy, temporary differences in our performance levels, but a quiet resolve to do a better job, to lengthen our stride.
I'm not tied to budgets. I'm tied to the story that I want to tell, and how much it's going to cost is up to whatever the economic situation of the studio is.
I tied so much of my self-worth - and trust me, if you're a runner, you understand this - to my performance.
Let's say you have $1,000,000 tied up in your little company and suddenly your advertising isn't working and sales are going down. And everything depends on it. Your future depends on it, your family's future depends on it, other people's families depend on it. Now, what do you want from me? Fine writing? Or do you want to see the goddamned sales curve stop moving down and start moving up?
I think I'm a story-based artiste. So I would opt for the performance-oriented role. I usually go by intuition while choosing a script. Also, I do not analyse my performance, nor do I bother about how my film has been performing at the box office. I personally love challenges and am game for taking up things which I haven't attempted before.
Art evokes emotion. It doesn't have to be a thing of beauty.
Just like music evokes emotion, so can garments.
If you want better behavior from bankers, then make their financial incentives more like those in the hedge-fund world - where managers have 'skin in the game,' and their net worth is tied to their long-term performance.
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