A Quote by David Grann
I wish a book could reach as many people as film, but we have to be realistic about it.
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Most indie shoots, or any kind of film shooting, even TV, it's out of Los Angeles, unfortunately. I wish that would change, that people could work where their families are, across the board - crew, cast. I wish we could all stay here.
The life of a film is very strange. Once the film is done, you wish you could forget about it and move on.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
One of the most telling things about film school is you've got a lot of students wandering around saying, "Oh, I wish I could make a movie. I wish I could make a movie."
I like 'Brawl in Cell Block 99.' I think Vince Vaughn is incredible and I've never seen Don Johnson like that. It is very realistic. Some people say it is a horror film. It is not a horror film at all. It is very realistic.
I wish I could read minds. It's a dangerous superpower, so I'd wish for it to come with a switch where I could turn it off if I wanted to. You'd learn a lot about people, that's for sure!
You're lucky if you reach the point where you go, "OK, I have a wonderful life ...I fly around the world, stay in beautiful places, people are generally quite sweet to me, what's to complain about?" But I think you have to get there... And it's taken me the best part of 54 years to reach that point where I'm like, "I'm very lucky, I'm lucky, I'm blessed" - all of those things. I wish I could impart that to other people but I think when you're young, you just don't listen.
I'm not resigned, but I'm realistic too. The statistics in my case are very poor. Not many people come through esophageal cancer and live to talk about it, or not for long. And the other wager is, the part of the wager, it's a certainty you'll have a terrible time and you may wish you were dying because it's an awful process.
The most comical thing for me, even when I watch movies, is the guy who's so crazy confident about himself, with the mink jacket - to me, that is so funny. I wish I could be like that. As a fighter, I wish I could do that, so I could make people laugh. But I can't; it's not my style.
I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.
In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes.
I could have been a cult writer if I'd kept writing surrealistic novels. But I wanted to break into the mainstream, so I had to prove that I could write a realistic book.
When you do a normal film, you play the character for three months and you say goodbye to him. And then, when you watch the movie, you say, "I wish I could have done that differently. I wish I could have added this to it."
Wayne Wang, the director of Because of Winn-Dixie the movie, understood the book and transferred as much of the feeling of the book onto film as humanly possible. I think he did a fabulous job. And also I'm thrilled because the movie brings people to the book - people that wouldn't know about the book - and that's a great thing.
In our time, we have become too interested in the artist and his or her character and experience as a way of understanding art. In my view, you should be able to read a book or see a film without knowing a single thing about conditions or circumstances or character of the artist, and experience the work to the full without such information. Sometimes I feel - speaking for myself - that people know much too much about me, and I wish people knew less and could just read these books and respond to them purely as words on a page.
There are many people who reach their conclusions about life like schoolboys: they cheat their master by copying the answer out of a book without having worked the sum out for themselves.
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