A Quote by David Grinspoon
Even as a kid enthralled with science fiction, I wondered about the role of people in the long-term evolution of the Earth, the far future and the fate of humanity.
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The truth is that Trout, like Vonnegut and Ray Bradbury and many others, writes parables. These are set in frames which have become called, for no good reason, science fiction. A better generic term would be 'future fairy tales'. And even this is objectionable, since many science fiction stories take place in the present or the past, far and near.
I don't think humanity just replays history, but we are the same people our ancestors were, and our descendants are going to face a lot of the same situations we do. It's instructive to imagine how they would react, with different technologies on different worlds. That's why I write science fiction -- even though the term 'science fiction' excites disdain in certain persons.
So often, science fiction helps to get young people interested in science. That's why I don't mind talking about science fiction. It has a real role to play: to seize the imagination.
Science Fiction is not just about the future of space ships travelling to other planets, it is fiction based on science and I am using science as my basis for my fiction, but it's the science of prehistory - palaeontology and archaeology - rather than astronomy or physics.
Science is the key to our future, and if you don’t believe in science, then you’re holding everybody back. And it’s fine if you as an adult want to run around pretending or claiming that you don’t believe in evolution, but if we educate a generation of people who don’t believe in science, that’s a recipe for disaster. We talk about the Internet. That comes from science. Weather forecasting. That comes from science. The main idea in all of biology is evolution. To not teach it to our young people is wrong.
How can we trace out the links between actions that people take today and really long-term outcomes for humanity - outcomes that stretch out indefinitely into the future? I call this effort macrostrategy - that is, to think about the really big strategic situation for having a positive impact on the long-term future. There's the butterfly effect: A small change in an initial condition could have arbitrarily large consequences.
Patriarchy appears to be everywhere. Even outer space and the future have been colonized. As a rule, even the more imaginative science-fiction writers (allegedly the most foretelling futurists) cannot/will not create a space and time in which women get far beyond the role of space stewardess.
Science fiction is where I started out, really. When I was a kid, I was a complete addict of science fiction. It was one of my earliest interests as a writer, and I've just taken a long time to circle back around to it.
Revolutions just spread blood. Evolution - this is something that changes in the long term. Because history is long term. But today, we don't talk about history. The past is two weeks ago, and the future is two weeks after.
I loved literary science fiction. In fact, as a kid, when I was reading science fiction, I thought 'I can't wait for the future when the special effects are good' to represent what was in these books by Arthur C. Clarke, Alfred Bester, Philip K. Dick, J.G. Ballard, Jack Vance.
Humans are terrible at predicting the future. We really overestimate what we can do in the short term and underestimate what we can do in the long term... If we can glimpse even a couple of years into the future, even that's difficult to do.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
I had decided after 'Hollow Man' to stay away from science fiction. I felt I had done so much science fiction. Four of the six movies I made in Hollywood are science-fiction oriented, and even 'Basic Instinct' is kind of science fiction.
I think that prog rock is the science fiction of music. Science fiction speculates on what the future might be and look like and how we'll get there, and yet there's always a central theme of humanity, or there should be. Progressive rock has the same concept of exploration into the parts of the music world that hasn't been explored.
To be a science fiction writer you must be interested in the future and you must feel that the future will be different and hopefully better than the present. Although I know that most - that many science fiction writings have been anti-utopias. And the reason for that is that it's much easier and more exciting to write about a really nasty future than a - placid, peaceful one.
It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
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