A Quote by David Grisman
Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that.
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I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
I have no doubt that most people who listen to Alison Krauss and say they like bluegrass have never heard real bluegrass played in the traditional manner, and probably don't even know who Bill Monroe is.
I was never into the Bluegrass, Bill Monroe and stuff like that.
Since I've left 'Blue Peter' I've presented all sorts of different things. I've done a music show, for instance, and 'Blue Peter' had music on it. I've done a politics show, but on 'Blue Peter' I interviewed the Prime Minister. I've done travel stuff where I've gone abroad, but 'Blue Peter' had that within it as well.
Bill Monroe is not singing about life in America. He's singing about life in Kentucky and Tennessee. And yet it's had this tremendous impact, not just in America but in the world. Why is Bill Monroe's hyper-regional music so universal? We can be so different and yet still share a tremendous amount.
I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.
Mike Compton knows more about Bill Monroe style mandolin than the Father of Bluegrass himself.
I got into bluegrass music when I was 14, as a way to get into a band. My brother and I had a band and our own radio show, and that's what was popular.
Peter,” Ashley asked softly, “Do you know what that was?” “Of course,” Peter said, much affronted. “A thimble.” “No,” said Ashley, staring, “That was a kiss.” “Didn’t it strike you as a little different from other thimbles you’ve had in the past?” Peter looked shifty. “Well, yes.” “Ha!” “It was my first thimble with tongue.” Peter told her with dignity.
Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.
When Adam's House Cat broke up in 1991, which was Cooley and my band for six years, I put my entire life, heart, and soul into that thing. I mean everything. I ended up getting divorced over it, and then the band broke up and I was left with nothing. I had nothing to show for six years of my life except for a finished record that still hasn't come out. And I went through a pretty deep, dark, two-year depression after that, [which] probably resulted in some of the earlier songs that became Drive-By Trucker songs, for that matter.
I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.
Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
My first match with Bill Goldberg, it was for the World Title in 1998. Bill had only been wrestling a year. Well, we stole the show. Because I was going to make Bill look as good as he was, and he was great. He had that incredible charisma, personality, and that 'it' factor. Rousey has that same thing.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
I had no idea who Peter was. We had a fun night, met for coffee the next day and started emailing when he went back to England. I'd never heard of Peter or Zara Phillips.
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