A Quote by David Grubbs
I recall improvisational drummer and composer Michael Evans telling me a story of someone who had the opportunity to meet Cage and give him a record, and John Cage just smiled and said, "You know I have nothing to play this on?"
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I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
When a captive lion steps out of his cage, he comes into a wider world than the lion who has known only the wilds. While he was in captivity, there were only two worlds for him - the world of the cage, and the world outside the cage. Now he is free. He roars. He attacks people. He eats them. Yet he is not satisfied, for there is no third world that is neither the world of the cage nor the world outside the cage.
When I head into the cage for an MMA fight, for that time inside the cage, I hate the person standing across the cage. I want to beat him up and beat him up to the point where he never wants to go against me again. After the fight, I can shake his hands, and he - we can be best friends. It's the same thing in professional wrestling.
I saw a dog in a cage. And that cage had a sign on it that said, 'I bite.' And I was like, 'That is good to know doggy, but that's not the most important thing about you. You should make a sign that says, 'I make signs.''
Imagine a dense forest full of tigers and you in a strong steel cage. Knowing that you are well protected by the cage, you watch the tigers fearlessly. Next, you find the tigers in the cage and yourself roaming about in the jungle. Last, the cage disappears and you ride the tigers!
The thing about Luke Cage that makes him different is - on the surface is he's a hero for hire; Luke Cage wants to get paid. Luke Cage in the comic books is like, 'I'm doing this stuff. It's all well and good, but I gotta make a dollar.'
I was right in the middle of a story and leading to a punch line and then I just heard 'John John' and I just looked around. I could see someone in the shadows walking forward and he said 'John I can't find me seat lad, d'ya know where me seat is?' I looked at him and it was my uncle Dave.
A cage that allows someone to walk around inside of it is still a cage.
I made a very bad mistake; I miscounted these scraps of information on the record as 92, and in continual homage to this man who had been so influential to me, I began creating or constructing my own films on this so-called "magic" number of 92 ... but when I eventually made a film about John Cage and met him, I explained this to him, and he found it very amusing because there are only 90 stories on the two sides of the record, and I'd based three years of my filmic career on this mathematical error!
Benson is a champion. I'd be lying to you if I said I wasn't scared to death inside this cage, stepping into the cage with that monster.
When I read John Cage's book Silence, I was growing up in Louisville, Kentucky. For me, records were a mode of time travel and geographic travel, interfacing with a much larger world. So it seemed antiquated and backwards that Cage would be so down on them.
At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.
I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.
Even though my approach is slightly different, the Luke Cage of 'Jessica Jones' is no stranger to the Luke Cage of Marvel's 'Luke Cage.' It's really a continuation to a certain extent. It's just got a little different flavor, but it's still the same suit.
I would love to have a Divas Hardcore championship. If we had a hardcore cage, we'll just paint the cage pink or something and make it extra girly so it's so, like, Diva.
I had, in a way, become 'The Nightmare' in the cage, but also out of the cage. That's why I changed to 'The Dream.' But 'The Nightmare,' is who I am as a fighter and that's the way it's going to stay. I'll be a nightmare inside the cage and a dream outside of it.
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