A Quote by David Guetta

I headline concert halls for 20,000 people, but I still play smaller venues. — © David Guetta
I headline concert halls for 20,000 people, but I still play smaller venues.
We've gone from venues that hold 500 up to 3,000 on our own, so I guess we're not entirely unknown. But there is a difference between a few thousand people and 20,000.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.
Back in the day, prior to rock and roll, music halls, concert venues were segregated if they allowed black people in at all. You know, there were ropes that went around the sitting sections with signs hanging that would say, 'Sitting for white patrons only,' or 'Colored sitting only.'
Of course, we also have to play in concert halls. This is our dream when you are a musician - to play in a good, comfortable hall with a wonderful acoustic.
I can go to India and draw 20,000 people at a concert, and it's really because I've built up an internet presence.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
If you have a horse that can beat horses worth $20,000, typically you enter it in a $20,000 claiming race. Now there might be people who feel their horse is worth $20,000, and they say, 'I wouldn't mind seeing the horse get beat.' So they'll enter it for $40,000 so the horse looks like it's performed badly.
I prefer to play in smaller venues because I like the intimacy, the connection with the audience.
There's a tradition - in New Orleans it still exists - where people play in the street. People play outside of the venues. Food, music, and that cultural exchange, it happens anywhere.
When I dj at big venues I try to play tracks that I would want to hear if I were e'd up in a field with 50,000 other people.
I was afraid that my success would be dependent partially upon my body, and it's true I can't be 20 pounds heavier and play the leading lady. But I'm on the smaller end of an average-sized woman. I'm positive of this, mathematically. And I still get to play the lead, without having to be anorexic like so many of my peers.
I think, in a lot of ways, it's easier to play a smaller room. You can exploit the quieter dynamics you would shy away from in larger venues.
I had 20,000 followers and I treasured that. People'd say, 'Oh that's nothing.' I said, 'What are you crazy? That's 20,000 people that wanna hear what I gotta say!'
Most philanthropists would still rather donate to elite schools, concert halls or religious groups than help the poor or sick.
When I'm performing for 4,000, 5,000 people, it's a show. It's a rock n' roll concert.
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