A Quote by David Guetta
All the big artists I talk to say that they are trapped in a formula and they are looking for the music of tomorrow.
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We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
People say you're trapped in this genre. You're a horror guy. I say wait a minute - I'm able to say exactly what I think. I'm able to talk about, comment about, take snapshots of what's going on at the time. I don't feel trapped. I feel like this is my way of being able to express myself.
[People] are looking at the politicians as being all talk, no action. They talk the big game, then they go to Washington, they look at the magnificent hallowed halls as you would say, or the beautiful vaulted ceilings and they say, "darling, I've arrived," to their loved one or their wife. They say "darling, I've arrived" and all of a sudden they become nothing.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
People had an idea of what R&B artists or pop artists usually say, which was like, 'Talk about sex, talk about partying, and be positive; don't be too much of a downer.'
I think everyone has a certain kind of formula in their life. When you deviate from that formula, you're going to fail big or you're gonna win big.
I think what's beautiful when you're looking at artists like Macklemore and you're looking at artists like Ayron Jones, they're proud of Seattle and they're bringing it back. Seattle's a real music town. When you act ashamed of that, you should be pushed outta the game as far as I'm concerned.
I think a lot of brands reach a point where they say, 'We kind of have a formula - we've got it made.' Our formula is there's no formula.
I always imagined music trapped inside my clarinet, not trapped inside of me. But what if music is what escapes when a heart breaks?
I know that a lot of people like to say "formula." I think that as soon as you start to have a formula imputed to your work, you're in danger of becoming formulaic. So the one formula I have as a rule is falling in love with the material.
Since I was a child I've been looking up to Formula One. Dreaming to be a Formula One driver.
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. Sometimes you can feel quite isolated.
They all trying to say something with music that you can't say with plain talk. There ain't really no words for love or pain. And the way I see it, only fools go around trying to talk their love or talk their pain. So the smart people make music and you can kinda hear about it without them saying anything.
Artists don't talk about art. Artists talk about work. If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work.
We were big Clash fans, you know, big Who fans and I think we would listen to this music and talk about music and do nothing but music night and day, and when it came time to actually making our own music, you feel compelled to sort of tuck all those influences away, not show them.
Formula 1 has to be more and more also a laboratory, a centre of advanced research for innovative technologies for tomorrow's cars. The KERS is very important in this context, and Ferrari as a manufacturer had, and has, extraordinary support in Formula 1.
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