A Quote by David Guterson

That the world was silent and cold and bare and that in this lay its terrible beauty — © David Guterson
That the world was silent and cold and bare and that in this lay its terrible beauty
Euclid alone has looked on Beauty bare. Let all who prate of Beauty hold their peace, And lay them prone upon the earth and cease To ponder on themselves, the while they stare At nothing, intricately drawn nowhere In shapes of shifting lineage; let geese Gabble and hiss, but heroes seek release From dusty bondage into luminous air. O blinding hour, O holy, terrible day, When first the shaft into his vision shone Of light anatomized! Euclid alone Has looked on Beauty bare. Fortunate they Who, though once only and then but far away, Have heard her massive sandal set on stone.
Euclid alone has looked on Beauty bare. Let all who prate of Beauty hold their peace, And lay them prone upon the earth and cease To ponder on themselves, the while they stare At nothing, intricately drawn nowhere.
To speak of oneself means to lay bare one's own soul, expose it like a body to the sun. To lay bare one's own soul is not at all like taking off one's brassiere on a crowded beach!
Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire, and thank God they were at home; and for the homeless starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world.
This City now doth like a garment wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields and to the sky; All bright and glittering in the smokeless air.
And the rose like a nymph to the bath addrest, Which unveiled the depth of her glowing breast, Till, fold after fold, to the fainting air, The soul of her beauty and love lay bare.
Why we are here: To tremble at the terrible beauty of the stars, to shed a tear at the perfection of Beethoven's symphonies, and to crack a cold one now and then.
He thought that in the beauty of the world were hid a secret. He thought that the world’s heart beat at some terrible cost and that the world’s pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
Thoughts can create such a barrier that even if you are standing before a beautiful flower, you will not be able to see it. Your eyes are covered with layers of thought. To experience the beauty of the flower you have to be in a state of meditation, not in a state of mentation. You have to be silent, utterly silent, not even a flicker of thought - and the beauty explodes, reaches to you from all directions. You are drowned in the beauty of a sunrise, of a starry night, of beautiful trees.
In some parallel universe, there was a Gansey who could tell Blue that he found the ten inches of her bare calves far more tantalizing than the thirteen cubic feet of bare skin Orla sported. But in this universe, that was Adam’s job. He was in a terrible mood.
People talk about the beauty of the spring, but I can't see it. The trees are brown and bare, slimy with rain. Some are crawling with new purple hairs. And the buds are bulging like tumorous acne, and I can tell that something wet, and soft, and cold, and misshapen is about to be born. And I am turning into a vampire.
A terrible cold world of ice and death had replaced the living world we had always known. Outside there was only the deadly cold, the frozen vacuum of an ice age, life reduced to mineral crystals. [. . .] I drove at great speed, as if escaping, pretending we could escape. Although I knew there was no escape from the ice, from the ever-diminishing remnant of time that encapsuled us.
That cold accretion called the world, so terrible in the mass, is so non formidable, even pitiable, in its units.
I couldn't hear a thing in the world but you. And it was so cold then, and so silent, and I loved you so much. Now it's hot and dead quiet again, and I love you still.
The purpose of art is to lay bare the questions that have been hidden by the answers.
The darkness grew apace; a cold wind began to blow in freshening gusts from the east, and the showering white flakes in the air increased in number. From the edge of the sea came a ripple and whisper. Beyond these lifeless sounds the world was silent. Silent? It would be hard to convey the stillness of it. All the sounds of man, the bleating of sheep, the cries of birds, the hum of insects, the stir that makes the background of our lives - all that was over.
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