A Quote by David Guterson

I have relaxed into my persona as an author, although I used to fight that. — © David Guterson
I have relaxed into my persona as an author, although I used to fight that.
Canelo's a very disciplined guy, but he's very relaxed in the ring. He taught me that there are ways to relax so you won't get hit with certain punches. He showed me that the more relaxed you are, the easier it is to fight your fight by staying put.
Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
The more fights I have the more relaxed I get in cage or ring. It's all about experience. It's something that I try to do because I fight better when I am relaxed.
I spent many years writing and directing in radio drama, so I am comfortable with an audience or a microphone, but I do worry about the blurring of an author's public persona with the work itself. A good 'performer' can make a mediocre book sound strong, and a shy author can leave listeners missing the excellence of his or her writing.
When I fight, part of the swagger that I had when I used to fight on the street comes out. When I fought on the street, I used to try to embarrass someone for even wanting to fight me.
I had a persona as a player, and I know this will come as a shock, but I liked to talk. But don't let the persona overshadow the person. The persona liked to have fun. The person knew when it was time to get to work.
When I was a kid in San Diego, I would read fashion magazines and Interview magazine, and all of that really inspired me to create a persona. So by the time I moved to New York, in the early '80s, I'd learned how to create a persona, and I knew what my persona would be.
God, though this life is but a wraith, Although we know not what we use, Although we grope with little faith, Give me the heart to fight and lose.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
The bold and discerning writer who, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense has no following and is tartly reminded that 'it isn't in the dictionary' - although down to the time of the first lexicographer no author ever had used a word that was in the dictionary.
I used to fight every week. Me and my friends used to fight each other, bare knuckle, but then we would be friends that same day. That was our entertainment, though.
It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.
I'm not a writer, although, as a filmmaker, you are an author in a certain way.
There is your persona and then there's the real you. I was living inside my persona too much.
I believe that Maryse's persona was the best female persona in years within the WWE.
There's the private persona and the public persona and the two shall never meet
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