A Quote by David Hallberg
Certainly, when you train as a classical dancer, you are very much influenced by 'Giselle.' You see it all the time; you start to learn the steps a little.
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When you take dancing lessons, you learn steps and you learn steps and you learn steps. It can go on for a long time. And then one day, you just learn to dance, and it is so different.
In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
There are three steps you have to complete to become a professional dancer: learn to dance, learn to perform, and learn how to cope with injuries.
Actually, I've had very little classical training, although I love listening to classical music very much.
Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice.
Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is truly difficult.
Well, when I walk behind short people I feel like I'm going to fall over because I start taking these little steps, and I can't take little steps.
I think ballet has influenced my personality a lot in the sense that I am very disciplined in all of my endeavours. I am always on time; I take things very seriously. I've built up my inner strength and self-esteem over time as I've improved as a dancer.
You have to imagine - for those who are good dancers, maybe they don't have to train as much - but for me at least, not being a very good dancer you have to hit the reset button every week and come in on Tuesday, the day after the live show, and start all over and learn a whole new dance with a whole new set of emphasis. Some weeks, you want to have body doing one thing. The next week, it's a totally different thing. You always have to relearn everything on a weekly basis and it takes a lot of work mentally and physically.
If I could say what my dream role to dance was that I didn't get to do, if I had to choose one, it would be Giselle in 'Giselle.'
Young dancers are training at a very vulnerable time in their lives... So train the whole person, not just the dancer.
Most of the time it's the parents who recognise me. They try to tell their kids, 'Look, it's Giselle,' and I say, 'No, no, no, don't ruin this for them,' because I'm usually standing there with my hair sideways and no make-up on. And the kid is saying, 'That is not Giselle. No way. That is some worn-out girl who really needs a bath.'
There is a compelling case showing us that we actually change people all the time. And when we fully realize this, we start to see how powerful we are to get others unstuck, see that their behavior matters, and start taking steps to create happiness and success in their lives.
The people [in the USA] are not very well informed. They certainly don`t know history. They certainly are not interested in foreign affairs very much, unless it comes right to their doorstep. They all learn history through wars. They learn geography through wars.
When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.
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