A Quote by David Hallberg
Having done so many versions, I never felt like an artist in 'Swan Lake.'
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'Swan Lake' can be a nightmare. To make a 'Swan Lake' that is worth it, every single movement and breath has to be perfect. When you have an idea of 'Swan Lake' that is as high as that, it's almost impossible.
I have had so many great moments, but I would have to say that dancing the Swan in 'Swan Lake' was such a unique and passionate experience for me. It was such bloody hard work, even at that very early age, that I would not want to try to replicate it again now.
Let beeves and home-bred kine partake The sweets of Burn-mill meadow; The swan on still St. Mary's Lake Float double, swan and shadow!
Technical things are getting more mechanical. Take 'Swan Lake,' the Black Swan pas de deux. Now, my goodness, they're turning not just 32 fouettes - but double or triple pirouettes.
When I went to Moscow, I felt I was relearning Swan Lake - which was written for the Bolshoi - and being immersed in a tradition and history I had never experienced. It took a while to adjust to living there and learning the language, but now I have lots of friends. I get the best of two completely different worlds.
'Swan Lake' was my favourite piece of music when I was younger, and I never had a chance to skate to it.
What 'War and Peace' is to the novel and 'Hamlet' is to the theater, Swan Lake' is to ballet - that is, the name which to many people stands for and sums up an art form.
I feel more beautiful than I've ever felt because I've given birth. I have never felt so connected, never felt like I had such a purpose on this earth. The best thing about having a daughter is having a true legacy. The word love means something completely different now.
I had daydreamed through many performances of Swan Lake, thinking the dancing tutus only ever conveyed one aspect of swans: their beauty gliding on water. I wondered what it would be like to use male dancers and bring out swans' aggressive, muscular side.
All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.
Would you just strap some toe shoes on and dance 'Swan Lake?' No. Would you just put a violin in your hand and - ? No. I felt that way about acting, and I was taught to feel that way. I didn't come to it on my own.
I think it requires a bit of honesty, Swan Lake.
Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people.
You cannot dance an arabesque in 'Swan Lake' and 'Nutcracker' the same way.
Misty Copeland is making history. During American Ballet Theatre's current season at the Metropolitan Opera House, Copeland will alight on that storied Lincoln Center stage, making her New York debut as the Swan Queen in the iconic masterpiece Swan Lake - a crowning achievement for any dancer, regardless of the color of her skin.
People get excited about things like 'Swan Lake' because they generate a personal involvement. If you set up the story properly, audiences respond to the ambiguity. People ask, 'What exactly is happening in Act Four?' and I never say. I can't put it into words, but they've got a feeling about it, and that's good enough.
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