A Quote by David Harbour
The mythos of superheroes is our mythos today. They are American myths. 'Captain America,' 'Iron Man,' 'Hulk' - these are the biggest movies in the world. But sometimes, superhero movies can be a little bit thin.
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The mythos-over-logos argument points to the fact that each child is born as ignorant as any caveman. What keeps the world from reverting to the Neandertal with each generation is the continuing, ongoing mythos, transformed into logos but still mythos, the huge body of common knowledge that unites our minds as cells are united in the body of man. To feel that one is not so united, that one can accept or discard this mythos as one pleases, is not to understand what the mythos is.
Like every human we have to categorize ourselves, so you kind of start to build a mythos 'cause I had no information about [ biological mother]. So you have to build a mythos around yourself. And so my mythos included me not being wanted or me being a wretched person, which is just great fertilizer for comedy.
That which destroys the old mythos becomes the new mythos.
I love the Avengers movies and Iron Man and Captain America.
In a way, Captain America is the most grounded of the main Marvel superheroes. He is basically just a man, only more so. He doesn't fly across the sky like Iron Man. He isn't from another world like Thor. He doesn't turn into a green monster.
It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.
Kerouac was a breeze, some kind of incredible super-American, mythos personality blasting through the highways of 1947 America.
The superhero shows and movies are always having the spotlight on the superheroes themselves. It's never about the people who are living in that world and then trying to go about their life without the superheroes involved. It's about what that actuality would be like.
Movies have kind of become a tad bit uninspired, in that the big studio movies are spending more money to chase the big money with all these franchises and superhero movies. Some of them have been great, but some of them are a little tiresome.
What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.
Superhero movies have become a genre unto themselves, and I didn't really grow up on superhero movies. I grew up on genre movies before superhero was a genre.
What keeps the world from reverting to the Neanderthal with each generation is the continuing, ongoing mythos... the huge body of common knowledge that unites our minds as cells are united in the body of man.
You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
I'd loved 'Iron Man,' you know, with a passion. I thought that was the most fresh, cool thing, in terms of superhero movies, that I'd seen in a long time.
There's an unfair position that women are sometimes put in, in the context of superhero movies and action movies, where at once they have to be very strong and fierce but also sexy.
I am a huge fan of what Marvel has established. But when they first came to me, Thor and Captain America were not even close to being finished. I thought to myself, 'Okay, you have all these moving parts, but how can you possibly bring them together?' Iron Man, Hulk, Thor and Captain America don't seem like they could co-exist, and ultimately that is what intrigued me and made me think, 'This can be done and this should be done.' You can't put these characters in a movie together without a certain amount of humor. It's an inoculation against the unreality.
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