A Quote by David Hare

I don't see the theater as an establishment. The National Theatre has always seemed to me a people's theater. It was never meant to reinforce the values of the government of the day, nor does it, nor should it.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
For who does not know, or does not advert to the fact, that what was given to the Roman Church by Peter, Prince of the Apostles, and is preserved even to this day, is what should be observed by all? Nor should anything be added, or anything unauthorized be introduced, nor should an exemplar be looked for elsewhere.
Why should I stay? Nor seed nor fruit have I, But, sprung at once to beauty's perfect round, Nor loss nor gain nor change in me is found, - A life-complete in death-complete to die.
If I could earn the living that I earn in motion pictures and television in the theater, I'd be doing theater. But you can't. Nor come even close to it.
Naught is possessed, neither gold, nor land nor love, nor life, nor peace, nor even sorrow nor death, nor yet salvation. Say of nothing: It is mine. Say only: It is with me.
A nation that does not support and encourage its theater is - if not dead - dying; just as a theater that does not capture with laughter and tears the social and historical pulse, the drama of its people, the genuine color of the spiritual and natural landscape, has no right to call itself theater; but only a place for amusement.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
What can I do my friends, if I do not know? I am neither Christian nor Jew, nor Muslim nor Hindu. What can I do? What can I do? Not of the East, nor of the West, Nor of the land, nor of the sea, Not of nature's essence, nor of circling heavens. What could I be?
My unworldliness, even at 21, was abnormal. Not only had I never smoked tobacco nor touched alcohol of any description, but I had never yet set foot inside a theatre, or gone to a race course I had never seen, nor held a billiard cue, nor touched a card.
I'm a very shy person, and I never tried to do theater. I've been asked many, many times by the most incredible authors in America to do theater. And I always said no, not knowing what it is to be on the stage and to do theater.
It cannot be said that the Constitution formed 'the people of the United States,' for all time, into a corporation. It does not speak of 'the people' as a corporation, but as individuals. A corporation does not describe itself as 'we,' nor as 'people,' nor as 'ourselves.' Nor does a corporation, in legal language, have any 'posterity.'
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
People reveal their character even in the simplest things they do. Fools do not enter a room, nor leave it, nor sit down, nor rise, nor are they silent, nor do they stand up, like people of sense and understanding.
Integrity can be neither lost nor concealed nor faked nor quenched nor artificially come by nor outlived, nor, I believe, in the long run, denied.
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