A Quote by David Hare
The majority don't like me before the curtain goes up, and I always have to win them.
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There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
Anybody who's done standup will tell you that there's nothing like it. The show starts at 8:00, the curtain goes up and there's nobody else except you and the audience, and you just perform for them for two hours. Nobody yells, 'Cut!' There are no retakes. That is still the most exciting medium for me, and I love it.
I love that moment just before the curtain goes up, whether I'm sitting in the audience or standing backstage. It's full of expectation. It's a thrill that's unequaled anywhere.
I would not have an event before the majors. I would build them up. It very rarely happens that a player plays the week before, wins the event, and then goes on to win the slam.
One does odd things. You see, when one's young one doesn't feel part of it yet, the human condition; one does things because they are not “for good”; one thinks everything is a rehearsal - to be repeated ad lib, to be put right when the curtain goes up in earnest. One day you know that the curtain was up all the time. That was the performance.
Deductivism in mathematical literature and inductivism in scientific papers are simply the postures we choose to be seen in when the curtain goes up and the public sees us. The theatrical illusion is shattered if we ask what goes on behind the scenes. In real life discovery and justification are almost always different processes.
Whether you win or not, the night the Oscars are over, the curtain goes down and you go back to the grind. Period.
Yes, there is plenty of hard work for them in addition to that which they do when they appear, smiling and happy, when the curtain goes up. Giving a performance is the least of their worries.
I come from the theater, so I like it being: curtain up, this is what we want you to see, we have a reason for showing it to you, and then the curtain comes down, and that's it.
On matinee days I could never be sure I'd make the curtain for the matinee. I'd put on my makeup in the morning, rush to the studio and do the radio shows,then try to get across town before the curtain went up.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
It's nowhere near as intense as what I imagine an actor experiences backstage, but I feel a fluttering nervousness before a curtain goes up on a play. I mean, any play, anywhere - on Broadway or the Bowery or in a church basement.
It's kind of a win-win situation. The glory goes up to Him and the blessings fall down on me.
Children are extremely perceptive and absorb what goes on around them long before they can talk or even comprehend language. They are like finely tuned receivers that pick up much more than is merely said. They are receptive and attuned to every mood, feeling, and change that goes on in people around them.
Before the final curtain goes down On my life, I shall say to my Mother-Earth, "My gratitude-heart is all for you, All for you."
Like with all the Arabs, they use the 'suspect procedure' on me. I arrive four hours before the flight. They do a body search in a back room behind the curtain and then escort me onto the plane because they're afraid that on the way I might pick up a bomb from someone.
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