A Quote by David Hare

Poetry is the key to the hieroglyphics of nature. — © David Hare
Poetry is the key to the hieroglyphics of nature.
The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.
Flowers are the beautiful hieroglyphics of nature with which she indicates how much she loves us.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
Eloquence is heard; poetry is overheard ... All poetry is of the nature of the soliloquy.
Books, as Dryden has aptly termed them, are spectacles to read nature. Aeschylus and Aristotle, Shakespeare and Bacon, are priests who preach and expound the mysteries of man and the universe. They teach us to understand and feel what we see, to decipher and syllable the hieroglyphics of the senses.
Hermeticism is the science of nature hidden in the hieroglyphics and symbols of the ancient world. It is the search for the principle of life, along with the dream (for those who have not yet achieved it) of accomplishing the great work, that is the reproduction by man of the divine, natural fire which creates and recreates beings.
If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable.
Poetry, song, stories, art, our reverence for nature, are key to our survival as a species, and to the survival of all species, I believe. You can't always extract such emphatic hunches and activist stances from a scientific maxim or mathematical axiom.
Nature is a vast tablet, inscribed with signs, each of which has its own significancy, and becomes poetry in the mind when read; and geology is simply the key by which myriads of these signs, hitherto indecipherable, can be unlocked and perused, and thus a new province added to the poetical domain.
Poetry is the universal language which the heart holds with nature and itself. He who has a contempt for poetry, cannot have much respect for himself, or for anything else.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
Since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must produce a much greater; for both these arts are not only true imitations of nature, but of the best nature.
I don't think the nature of my poetry is satirical or even ironic, I think it's essentially lyrical but again I don't know if it's my position to say what my poetry is like.
I don't agree with you in saying that in all human minds there is poetry. Man as he came from the hand of his Maker was poetic in both mind and body, but the gross heathenism of civilization has generally destroyed nature, and poetry, and all that is spiritual.
We're nature. Our minds are nature. Our desire to make poetry is nature.
For true poetry, complete poetry, consists in the harmony of contraries. Hence, it is time to say aloud--and it is here above allthat exceptions prove the rule--that everything that exists in nature exists in art.
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