A Quote by David Harewood

When filming for 'Beowulf,' we were close to Hadrian's Wall; there was no phone signal, and the scenery was spectacular. — © David Harewood
When filming for 'Beowulf,' we were close to Hadrian's Wall; there was no phone signal, and the scenery was spectacular.
When the signal is weak, the phone is working more, you drain the battery faster, so only use a phone when the signal is weak in a true emergency.
You can't stop demographics. And show me a fence that ever worked. It didn't work at Hadrian's Wall. The Great Wall of China didn't work. The Berlin Wall.
Have you ever been in love, Hadrian?” “I’m not sure. How do you tell?” “Love? Why, it’s like coming home.” Hadrian considered the comment. “What are you thinking?” Bulard asked. Hadrian shook his head. “Nothing.” “Yes, you were. What? You can tell me. I’m an excellent repository for secrets. I’ll likely forget, but if I don’t, well, I’m an old man in a remote jungle. I’m sure to die before I can repeat anything.” Hadrian smiled, then shrugged. “I was just thinking about the rain.
It's a toss-up whether the scenery or the adornment of Marilyn Monroe is the feature of greater attraction in River of No Return. The mountainous scenery is spectacular, but so in her own way is Miss Monroe.
My mother said I should have a 'change of scenery.' The word scenery made be think of a play. And as we were driving around, it made sense that way. Because no matter how much the scenery changed, we were still on the same stage.
My dad's a history buff, and I spent a lot of time on Hadrian's Wall. I became fascinated by the idea of what was so terrifying up there that the Romans built a 60-mile long, 30-ft-high stone wall to keep it out.
It's a spectacular signal. It's a signal many of us have wanted to observe since the time LIGO was proposed. It shows the dynamics of objects in the strongest gravitational fields imaginable, a domain where Newton's gravity doesn't work at all, and one needs the fully non-linear Einstein field equations to explain the phenomena.
I began to see motorcyclists who had attached computer discs to their back mudflaps, because they made good reflectors. In a place called Xingwuying, locals climbed the Great Wall whenever they wanted to receive a cell phone signal.
When I was a kid, phone calls were a premium commodity; only the very coolest kids had a phone line of their own, and long-distance phone calls were made after eleven, when the rates went down, unless you were flamboyant with your spending. Then phone calls became as cheap as dirt and as constant as rain, and I was on the phone all the time.
If there is writing on Hadrian's Wall, it reads that the English should leave Scotland to its own devices.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
I love San Francisco, and it offers spectacular scenery of the city, and it adds to the uplifting quality of the movie.
Roman history was kind of unavoidable where I was growing up. It was everywhere - all the place names and ruins and forts. My dad's a history buff, and I spent a lot of time on Hadrian's Wall. I became fascinated by the idea of what was so terrifying up there that the Romans built a 60-mile long, 30ft high stone wall to keep it out?
Something I notice speaking to writers from south of Hadrian's Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
Based on something called a 'ping,' where you literally ping a cell phone using an electronic signal that then reflects the location of where that cell phone is.
The first Superman film took up a huge chunk of our lives, but it was a wonderful time for us. We were young, my daughter was little, we were filming in London for a year, so we became like a close family.
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